Publication: Mesa 2. Sección 2. Imágenes, archivos y crisis de las representaciones.-Cinesofía o la filosofía en imágenes
Authors
Ródenas Cantero, Gabriel
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Universidad de Murcia
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Publisher
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Description
Abstract
Resumen: El presente artículo pretende mostrar la relación entre filosofía y cine, abriendo un diálogo entre ambas y posibilitando una fructífera colaboración. A diferencia del método filosófico (argumentativo), el medio cinematográfico muestra, generando lo que, en términos deleuzianos, podríamos denominar conceptos-imagen altamente efectivos a la hora de representar elementos como el Tiempo o determinadas emociones. En última instancia, el texto sugiere que es posible hacer filosofía mediante el cine.
Abstract: The present paper tries to display the relation between philosophy and cinema, opening a dialogue between both disciplines and making a fruitful collaboration possible. Unlike the philosophical method (that argues), cinema shows, generating, in deleuzian terms, what we could call concepts-image, highly effective in order to represent elements like the Time or certain emotions. To sum up, this text suggests that it is possible to make philosophy through cinema
Abstract: The present paper tries to display the relation between philosophy and cinema, opening a dialogue between both disciplines and making a fruitful collaboration possible. Unlike the philosophical method (that argues), cinema shows, generating, in deleuzian terms, what we could call concepts-image, highly effective in order to represent elements like the Time or certain emotions. To sum up, this text suggests that it is possible to make philosophy through cinema
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Cine , Filosofía , Imagen , Cultura Visual , Tiempo , Memoria , Cinema , Philosophy , Image , Time , Memory , Visual Culture
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