Publication: Mesa 6. Tradición en crisis.-Spinoza: filósofo de la desmitificación
Authors
Hoyos Sánchez, Inmaculada
item.page.secondaryauthor
Universidad de Murcia
item.page.director
Publisher
publication.page.editor
publication.page.department
Description
Abstract
Resumen: El objetivo de este trabajo es presentar a Spinoza, desde una óptica deleuzeana, como filósofo
de la desmitifación y el desengaño. El trabajo se estructura en dos partes, que se corresponden con dos de
las “mistificaciones” o ilusiones que combate Spinoza en su Ética. En primer lugar, se trata de subvertir el
concepto tradicional de Dios personal, creador y trascendente a través de un nuevo concepto de un Dios
que se ha vuelto Naturaleza. En segundo lugar, se extraen las consecuencias prácticas de esta corrección
óptica, de modo que El Bien y el Mal dejan de ser valores absolutos y trascendentes para volverse
relativos y subjetivos.
Abstract: The aim of this paper is to present Spinoza, from a deleuzean point of view, as a philosopher of disappointment. This article is organized in two parts. Firstly, it deals with subverting the traditional concept of a personal, creator, transcendent God by means of a new concept of God. Now God is Nature. Secondly, it deals with deducing practical consequences from that new concept of God. In this way, Good and Evil aren´t absolute values and they turn into relative and subjective values.
Abstract: The aim of this paper is to present Spinoza, from a deleuzean point of view, as a philosopher of disappointment. This article is organized in two parts. Firstly, it deals with subverting the traditional concept of a personal, creator, transcendent God by means of a new concept of God. Now God is Nature. Secondly, it deals with deducing practical consequences from that new concept of God. In this way, Good and Evil aren´t absolute values and they turn into relative and subjective values.
publication.page.subject
Citation
item.page.embargo
Ir a Estadísticas
Este ítem está sujeto a una licencia Creative Commons. Licencia Creative Commons