Publication: La clave crítica bien temperada: Baquero Goyanes en su partitura.
Authors
Cervera Salinas, Vicente
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
https://doi.org/10.6018/monteagudo.550791
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info:eu-repo/semantics/article
Description
Abstract
Este artículo traza un itinerario por la obra
crítica de Mariano Baquero Goyanes desde
su reconocida afición al arte de la música.
Desde sus primeras investigaciones en los
años cincuenta, como en “Tiempo en tempo
en la novela” (1954), las referencias a las
técnicas y formas musicales así como a la
historia de la música fecundan e iluminan
de modo original y precursora su aportación
científica a la crítica literaria. Las páginas
dedicadas a las estructuras musicales en la
novelística contemporánea, ya en los años
setenta, revelan su madurez crítica y la
amplitud del campo de visión del fenómeno
artístico.
This article traces an itinerary through the critical work of Mariano Baquero Goyanes from his recognized fondness for the art of music. Since his first investigations in the fifties, as in “Time in tempo en la novela” (1954), the references to musical techniques and forms as well as to the history of music fertilize and illuminate his scientific contribution in an original and pioneering way to literary criticism. The pages devoted to musical structures in contemporary novels, already in the seventies, reveal his critical maturity and the breadth of the vision angle of the artistic reality.
This article traces an itinerary through the critical work of Mariano Baquero Goyanes from his recognized fondness for the art of music. Since his first investigations in the fifties, as in “Time in tempo en la novela” (1954), the references to musical techniques and forms as well as to the history of music fertilize and illuminate his scientific contribution in an original and pioneering way to literary criticism. The pages devoted to musical structures in contemporary novels, already in the seventies, reveal his critical maturity and the breadth of the vision angle of the artistic reality.
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