Publication: La ropa, los adornos y el cuerpo. La interacción entre el productor, el objeto y el consumidor
Authors
Peist, Nuria
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Publisher
Universidad de Murcia. Servicio de Publicaciones
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Description
Abstract
A partir de dos documentales, se analizan algunos de los valores que los diseñadores
y artesanos otorgan a su oficio. Aquellos que se
dedican al diseño de indumentaria y adorno son
más conscientes del cuerpo del sujeto que consumirá su producción. Los que practican oficios
relacionados con el resto de los objetos de uso
remarcan sobre todo el contacto físico y emotivo
que ellos mismos tienen con lo producido. En
ambos casos, se observa una marcada conciencia
de la relación de los objetos con los cuerpos de
los consumidores, en el primer caso, y de los productores, en el segundo. Esta conciencia permite
reflexionar sobre cómo el contacto físico con los
objetos colabora a las relaciones entre las personas. Asimismo, ayuda a analizar cómo la explotación en el trabajo y la excesiva valoración de
los aspectos formales de los sujetos y los objetos
producen un alejamiento de lo corporal y una ruptura de las relaciones.
Some of the values that designers and craftsmen give to their craft are analyzed based on two documentaries. Those engaged in clothing design are more aware of the consumer’s body. Those who practice trades related to other objects of use highlight the physical and emotional contact that they have with their production. In both cases, there is a strong awareness of the relationship between the objects and the bodies, of the consumers in the first case, and producers in the second. This awareness reflects on how the physical contact with objects collaborates in the relationship between people. It also helps analyze how labour exploitation and the overvaluation of the formal aspects of the subjects and objects produce estrangement with the body and a disruption in relations
Some of the values that designers and craftsmen give to their craft are analyzed based on two documentaries. Those engaged in clothing design are more aware of the consumer’s body. Those who practice trades related to other objects of use highlight the physical and emotional contact that they have with their production. In both cases, there is a strong awareness of the relationship between the objects and the bodies, of the consumers in the first case, and producers in the second. This awareness reflects on how the physical contact with objects collaborates in the relationship between people. It also helps analyze how labour exploitation and the overvaluation of the formal aspects of the subjects and objects produce estrangement with the body and a disruption in relations
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Cuerpo , Diseño , Indumentaria , Adorno , Sociología de la Moda , Body , Design , Crafts , Clothing , Ornaments , Fashion Sociology
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