Publication: La interacción, la interpretación y la implicación como estrategias participativas.
Time Divisa de Antonio Vega Macotela
Authors
Aguilar, Guadalupe
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Publisher
Murcia: Servicio de Publicaciones de la Universidad de Murcia
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Description
Abstract
La participación del espectador del arte en la coproducción de significado ha trasladado
el foco en la obra como objeto, hacia los procesos que se generan durante el encuentro
entre el espectador y la obra. El arte participativo es una forma de producción artística que
exige dinamismo por parte del espectador para asumir una responsabilidad más activa en
el proceso de recepción estética, para así convertir a la obra en un hecho comunicativo en
el que el receptor se convierte a su vez en emisor, propiciando procesos interactivos nuevos
entre el artista, la obra y el espectador. La recepción participativa exige el involucramiento
físico, mental y/o social del receptor con el fin de provocar la puesta en marcha de su
capacidad creativa para la conformación de nuevas estructuras artísticas materiales o
inmateriales.
ABSTRACT: Participation of the art viewer in the coproduction of meaning has transferred focus of the work as an object to the processes generated through the encounter between the viewer and the piece of art. This essay is centred in the research of what Anglo-Saxon art theory refers to as participatory art (arte participativo in Spanish), a type of artistic production that requires dynamism by the viewer in assuming a more active responsibility in the process of aesthetic reception, converting the piece in a communicative action in which the viewer is converted, at the same time, into a transmitter fostering new interactive processes between the artist, the piece and the viewer. Our approach to participatory art considers the viewer both as the starting and the termination point, analyzing the role as producer and the artistic and social consequences implied in this new role; participatory reception requires physical, mental and/or social involvement of the receiver in order to trigger his or her creative capacities to conform new material or non-material artistic structures
ABSTRACT: Participation of the art viewer in the coproduction of meaning has transferred focus of the work as an object to the processes generated through the encounter between the viewer and the piece of art. This essay is centred in the research of what Anglo-Saxon art theory refers to as participatory art (arte participativo in Spanish), a type of artistic production that requires dynamism by the viewer in assuming a more active responsibility in the process of aesthetic reception, converting the piece in a communicative action in which the viewer is converted, at the same time, into a transmitter fostering new interactive processes between the artist, the piece and the viewer. Our approach to participatory art considers the viewer both as the starting and the termination point, analyzing the role as producer and the artistic and social consequences implied in this new role; participatory reception requires physical, mental and/or social involvement of the receiver in order to trigger his or her creative capacities to conform new material or non-material artistic structures
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