Publication: El texto musical como acto de comunicación
Authors
García de Alcaraz, Julián
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
La partitura musical establece una relación comunicativa (unidireccional) entre el compositor y el intérprete: así, su producción se sitúa en el mismo rango que ocuparían los actos de habla en el lenguaje oral. Una perspectiva pragmática del texto musical debería comenzar analizando qué tipo de acto es elaborar un texto musical, cuáles son sus propósitos y qué condiciones son necesarias para que esa comunicación tenga éxito. Como ocurre en el lenguaje, los distintos propósitos que pueden animar la elaboración de un texto musical tendrán reflejo en su realidad significante; esta variedad de objetos ilocucionarios puede explicar algunas aparentes disfunciones que aparecen en el aparato sígnico mediante el cual se expresa la música.
The musical score establishes a (unidirectional) communicative relationship between composer and performer: thus, its output is in the same rank as speech acts have in oral language. A pragmatic perspective about the musical text should start by analyzing what kind of act is to elaborate a musical text, what their purposes are, and what conditions are necessary for this communication to be successful. As with language, the various purposes that may encourage the development of a musical text will reflect in its appearance as object; this variety of illocutionary purposes may explain some apparent dysfunctions that appear on the signic system by which music is expressed.
The musical score establishes a (unidirectional) communicative relationship between composer and performer: thus, its output is in the same rank as speech acts have in oral language. A pragmatic perspective about the musical text should start by analyzing what kind of act is to elaborate a musical text, what their purposes are, and what conditions are necessary for this communication to be successful. As with language, the various purposes that may encourage the development of a musical text will reflect in its appearance as object; this variety of illocutionary purposes may explain some apparent dysfunctions that appear on the signic system by which music is expressed.
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