Publication: Materiales para una estética de la marginalidad: pornomiseria, signos marginales y subjetividad
Authors
Dalmazzo Avendaño, Flavio ; Pulgar Moya, Pablo
item.page.secondaryauthor
item.page.director
Publisher
Murcia: Servicio de publicaciones de la Universidad de Murcia
publication.page.editor
publication.page.department
DOI
item.page.type
info:eu-repo/semantics/article
Description
Abstract
El presente artículo explora algunos principios teóricos que
puedan servir como contribución para una posible estética de
la marginalidad. Para ello, tras delimitar lo que se comprenderá
por marginalidad en el contexto de la teorización latinoamericana
reciente, se abordará, en primer lugar, aquello que los realizadores
colombianos Luis Ospina y Carlos Mayolo denominaron
pornomiseria, en tanto noción epistémico-crítica fundamental.
Más adelante, se tratará la cuestión de los signos marginales y
su recepción a luz de la experiencia en cierta territorialidad del
Chile contemporáneo, específicamente en periferias de la ciudad
de Santiago. Finalmente, se concentrará en las implicancias que
el proyecto de una estética de la marginalidad tiene para la
construcción de identidades políticas
This article explores some theoretical principles that can serve as a contribution to a possible aesthetics of marginality. For this, the information refers to the marginality in the context of the recent Latin American theory, and it is addressed, in the first place, what the Colombian filmmakers Luis Ospina and Carlos Mayolo called pornomisery, as a fundamental epistemic-critical notion. Later, the issue of marginal signs and their reception will be addressed in light of the experience in a certain territoriality of contemporary Chile, specifically, in the peripheries of Santiago. Finally, it will focus on the implications that the project of an aesthetics of marginality has for the construction of political identities
This article explores some theoretical principles that can serve as a contribution to a possible aesthetics of marginality. For this, the information refers to the marginality in the context of the recent Latin American theory, and it is addressed, in the first place, what the Colombian filmmakers Luis Ospina and Carlos Mayolo called pornomisery, as a fundamental epistemic-critical notion. Later, the issue of marginal signs and their reception will be addressed in light of the experience in a certain territoriality of contemporary Chile, specifically, in the peripheries of Santiago. Finally, it will focus on the implications that the project of an aesthetics of marginality has for the construction of political identities
publication.page.subject
Estética , Marginalidad , Aesthetics , Marginality , Pornomisery , Identity , Chile , Pornomiseria , Identidad
Citation
Arte y políticas de identidad, vol. 19, (2018), 83-100
item.page.embargo
Collections
Ir a Estadísticas
Este ítem está sujeto a una licencia Creative Commons. http://creativecommons.org/licenses/by-nc-nd/4.0/