Publication: Paris comme espace géo-poétique dans la première étape romanesque de Rouja Lazarova.
Authors
Soto, Ana Belén
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
https://doi.org/10.6018/ER/373891
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info:eu-repo/semantics/article
Description
Abstract
La ciudad de París se convierte en un escenario versátil desde un punto de
vista representativo en la literatura actual escrita en lengua francesa. Una literatura en
la que podemos observar, además, la impronta de los procesos migratorios. En este contexto, podemos hablar de la primera etapa novelesca de Rouja Lazarova como ejemplo
paradigmático ya que encontramos tres novelas escritas y basadas en la capital francesa. De tal manera que en un primer momento esbozaremos la aportación literaria de
escritores similares a la autora que presentamos en el presente artículo para considerar
seguidamente el papel que desempeña la ciudad en la primera etapa de su producción
literaria (1998-2004).
Paris becomes a versatile scenario from a representative point of view in the recent French-language literature. A literature in which we can observe, in addition, the imprint of the migratory processes. In this context, we can speak of Rouja Lazarova’s frs literary period as a paradigmatic exemple since we fnd three novels written and based on the French capital. In such a way that a frst we will outline the literary contribution of writers similar to the author that we present in this article to consider next the role played by the city in the frst stage of its literary production (1998-2004).
Paris becomes a versatile scenario from a representative point of view in the recent French-language literature. A literature in which we can observe, in addition, the imprint of the migratory processes. In this context, we can speak of Rouja Lazarova’s frs literary period as a paradigmatic exemple since we fnd three novels written and based on the French capital. In such a way that a frst we will outline the literary contribution of writers similar to the author that we present in this article to consider next the role played by the city in the frst stage of its literary production (1998-2004).
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