Publication: La escena como posible mediadora y propulsora de nuevas políticas en el contexto de la diáspora del pueblo sirio
Authors
Martínez López, Carolina
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Publisher
Murcia: Servicio de publicaciones de la Universidad de Murcia
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DOI
https://doi.org/10.6018/319961
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info:eu-repo/semantics/article
Description
Abstract
Utilizando formal y conceptualmente las etapas del viaje, el presente
artículo analiza desde un punto de vista ético, político y artístico las
propuestas escénicas más representativas que en Europa y Oriente
Próximo han abordado en los últimos años y mediante fórmulas diversas
el fenómeno de la diáspora siria. El objetivo principal radica en analizar
la capacidad de estas manifestaciones como generadoras de nuevas
relaciones y realidades, tomando la idea de Althusser de que la cultura no
refleja, sino que produce la sociedad, y que entroncaría con los orígenes
del teatro documental y político en Brecht y Piscator. Asimismo, se analiza
cómo se pueden presentar y representar la realidad y la otredad sin una
mirada colonial, patriarcal o proteccionista, y cómo enfrentarse a los
problemas éticos derivados de este tipo de prácticas, para que la escena
pueda mediar en la creación de nuevas formas de estudiar a las personas
en tránsito físico e identitario (McDowell) y que se plantee como un
“tercer espacio” (Bhabha), desde el que poder trazar una nueva política
en relación al yo y al otro.
Using the formal and conceptual stages of the journey, this article analyzes from an ethical, political and artistic point of view, the most representative scenic proposals that in Europe and the Middle East have approached in recent years and through diverse formulas the phenomenon of Syrian diaspora. The main objective is to analyze the capacity of these manifestations as generators of new relationships and realities, taking the idea of Althusser that culture does not reflect, but produces society, and that would connect with the origins of documentary and political theater in Brecht and Piscator. It also analyzes how reality and otherness can be presented and represented without a colonial, patriarchal or protectionist view, and how to deal with the ethical problems derived from this type of practice, so that the scene can mediate the creation of new forms to study people in physical and identity transit (McDowell) and to be considered as a “third space” (Bhabha), from which to draw a new policy in relation to the self and the other.
Using the formal and conceptual stages of the journey, this article analyzes from an ethical, political and artistic point of view, the most representative scenic proposals that in Europe and the Middle East have approached in recent years and through diverse formulas the phenomenon of Syrian diaspora. The main objective is to analyze the capacity of these manifestations as generators of new relationships and realities, taking the idea of Althusser that culture does not reflect, but produces society, and that would connect with the origins of documentary and political theater in Brecht and Piscator. It also analyzes how reality and otherness can be presented and represented without a colonial, patriarchal or protectionist view, and how to deal with the ethical problems derived from this type of practice, so that the scene can mediate the creation of new forms to study people in physical and identity transit (McDowell) and to be considered as a “third space” (Bhabha), from which to draw a new policy in relation to the self and the other.
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Citation
Arte y políticas de identidad, Vol. 17 (2017)33-52
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