Publication: Vidas a la escena (ajenas y propias). La (auto)biografía como procedimiento dramático: de "La comedia científica o el café" de Negrfn, de José Ramón Fernández a "Los Gondra (una historia vasca)", de Borja Ortiz de Gondra
Authors
Vicente Gómez, Francisco
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Visor Libros
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info:eu-repo/semantics/bookPart
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Abstract
Este texto, en homenaje al profesor José Romera Castillo, pretende mostrar la constitución semiótica del 'bio-drama' o del del teatro (auto)biográfico a partir de dos obras dramáticas: Los Gondra (una historia vasca), de Borja Ortiz de Gondra, y La comedia cientifica o El café de Negrin, de José Ramón Fernández. Dos argumentos son los trabajados, uno de tipo historiográfico --lo memorable-, y otro de carácter antropológico -la familiaridad de las estructuras de la experiencia cotidiana-. Los pormenores de la vida familiar y de la institución educativa, como estructuras de acogida -interpretante dinámico-, hacen de la biografía una materia muy apta para una práctica artística que busca dialogar con la contingencia actual que rodea al ser humano -interpretante final-. La violencia fratricida, la negativa a olvidar, la ausencia de perdón, las ideas enfrentadas; la amistad, la tolerancia, el compromiso, la libertad, la educación, etc., son los interpretantes inmediatos de los textos analizados.
his paper, in honour of professor José Romera, aims to show the semiotic constitution of 'bio-drama' or (auto)biographical theatre by examining two dramatic works: Borja Ortiz de Gondra's Los Gondra (una historia vasca) and José Ramón Fernández's La colmena científica o El caft de Negrín. Two approaches have been taken into consideration: Historio- graphy -what is memorable- and Anthropology -the familiarity of the everyday experience structures-. The details of family life and the institution of education, as host structures --dynamic interpretant-, make bio- graphy a very suitable subject for an artistic practice that seeks to dialogue with the current contingency that surrounds the human being -logical interpretant-. Fratricidal violence, refusal to forget, absence of forgiveness, confronted ideas, friendship, tolerance, commitment, liberty, education, etc., are, all of them, the immediate interpretants of the analysed texts.
his paper, in honour of professor José Romera, aims to show the semiotic constitution of 'bio-drama' or (auto)biographical theatre by examining two dramatic works: Borja Ortiz de Gondra's Los Gondra (una historia vasca) and José Ramón Fernández's La colmena científica o El caft de Negrín. Two approaches have been taken into consideration: Historio- graphy -what is memorable- and Anthropology -the familiarity of the everyday experience structures-. The details of family life and the institution of education, as host structures --dynamic interpretant-, make bio- graphy a very suitable subject for an artistic practice that seeks to dialogue with the current contingency that surrounds the human being -logical interpretant-. Fratricidal violence, refusal to forget, absence of forgiveness, confronted ideas, friendship, tolerance, commitment, liberty, education, etc., are, all of them, the immediate interpretants of the analysed texts.
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Biografía , Vida cotidiana , Institución familiar , Institución educativa , Teatro (auto)biográfico , Memorable , La colmena cientifica o El café de Negrin , José Ramón Fernández , Los Gondra (una historia vasca) , Borja Ortiz de Gondra , Biography , Everyday life , Family institution , Educational institution , (Auto)biographical Theatre
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