Publication: Mujeres al margen : historia del arte y violencia machista
Authors
Sempere Marín, Alicia
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Letras
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Hernández Navarro, Miguel Ángel
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info:eu-repo/semantics/bachelorThesis
info:eu-repo/semantics/bachelorThesis
info:eu-repo/semantics/bachelorThesis
info:eu-repo/semantics/bachelorThesis
info:eu-repo/semantics/bachelorThesis
Description
Abstract
La violencia machista es una lacra presente en el ámbito del arte y la cultura. Esta investigación se ha centrado en explorar y analizar las distintas formas en que dicha violencia se manifiesta en el mundo del arte, comenzando por la sistemática exclusión de la mujer artista del canon tradicional de la Historia del Arte, junto con las aportaciones de autoras como Linda Nochlin y Griselda Pollock sobre este hecho. Por otro lado, a través del análisis de gráficas, se ha estudiado el papel de los grandes museos y exhibiciones temporales como Bienales y Documenta a la hora de contestar o perpetuar la posición de marginación a la que se ha sometido a la mujer artista. La imagen que desde estos espacios expositivos se proyecta del arte de la contemporaneidad está aún lejos de ser igualitaria y, por tanto, completa. Sobre este asunto, resultan de especial interés las protestas de las Guerrilla Girls frente a esta situación de injusticia y la labor de Peggy Guggenheim, quien dio un espacio a aquellas mujeres ignoradas por el MoMA. Finalmente, se han analizado ejemplos de violencia de género, centrando la atención en el caso del surgimiento del colectivo La Caja de Pandora, el #MeToo del arte español.
Misogynist violence is a scourge which can be found in the field of art and culture. This dissertation has focused on exploring and analysing the different ways in which that referred-to violence reveals itself in the art world, starting with the systematic exclusion of women from the traditional canon of the History of Art, alongside the contributions of renowned authors such as Linda Nochlin and Griselda Pollock on this matter. Furthermore, by analysing graphs, the role of the big museums and temporary exhibitions, like Biennales and Documenta, in confronting or perpetuating the marginalised position in which the woman artist finds herself has been studied. The picture portrayed of the art of the contemporaneity by these spaces is still far from being equal and thus complete. Regarding this issue, it is significantly relevant to consider the protests of the Guerrilla Girls against this situation of injustice, as well as the work of Peggy Guggenheim, who gave space to those women ignored by the MoMA. Finally, examples of gender violence towards women artists have been analysed, focusing on the case of the emergence of the group La Caja de Pandora, the #MeToo of Spanish art.
Misogynist violence is a scourge which can be found in the field of art and culture. This dissertation has focused on exploring and analysing the different ways in which that referred-to violence reveals itself in the art world, starting with the systematic exclusion of women from the traditional canon of the History of Art, alongside the contributions of renowned authors such as Linda Nochlin and Griselda Pollock on this matter. Furthermore, by analysing graphs, the role of the big museums and temporary exhibitions, like Biennales and Documenta, in confronting or perpetuating the marginalised position in which the woman artist finds herself has been studied. The picture portrayed of the art of the contemporaneity by these spaces is still far from being equal and thus complete. Regarding this issue, it is significantly relevant to consider the protests of the Guerrilla Girls against this situation of injustice, as well as the work of Peggy Guggenheim, who gave space to those women ignored by the MoMA. Finally, examples of gender violence towards women artists have been analysed, focusing on the case of the emergence of the group La Caja de Pandora, the #MeToo of Spanish art.
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