Publication: El arquetipo de mujer pintora en la prensa gráfica española: El caso de Blanco y Negro (1891-1936).
Authors
Rodrigo Villena, Isabel
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
https://doi.org/10.6018/imafronte.507581
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info:eu-repo/semantics/article
Description
Abstract
La representación de las artistas mujeres en la prensa gráfica española del primer tercio del
siglo XX es un campo de investigación apenas abordado, que posee un indudable valor por su
contribución al análisis de la recepción de las artistas plásticas en el período en que las mujeres
empiezan a introducirse en el sistema del arte. Este trabajo analiza la construcción y significados
del arquetipo de mujer pintora en el caso particular de la revista Blanco y Negro (1891-1936), que
fue pionera en la modernización de la prensa ilustrada en España y, a su vez, emblemática por sus
portadas y páginas artísticas, realizadas por los artistas y dibujantes más reconocidos en la época
The representation of women artists in the Spanish graphic press in the first third of the 20th century is a field of research that has hardly been approached, which has undoubted value for its contribution to the analysis of the reception of plastic artists in the period in which women began to make their way into the art system. This work analyzes the construction and meanings behind the archetype of the female painter in the particular case of the magazine Blanco y Negro (1891-1936), which was a pioneer in the modernization of the illustrated press in Spain as well as emblematic for its covers and artistic pages, made by the most recognized artists and cartoonists of the time.
The representation of women artists in the Spanish graphic press in the first third of the 20th century is a field of research that has hardly been approached, which has undoubted value for its contribution to the analysis of the reception of plastic artists in the period in which women began to make their way into the art system. This work analyzes the construction and meanings behind the archetype of the female painter in the particular case of the magazine Blanco y Negro (1891-1936), which was a pioneer in the modernization of the illustrated press in Spain as well as emblematic for its covers and artistic pages, made by the most recognized artists and cartoonists of the time.
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Citation
Imafronte, Nº.30, 2023
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