Publication: El cadáver exquisito en las experiencias de creación compartida
Authors
Mesas Escobar, Eva Cristina ; López Martínez, María Dolores ; Santos Sánchez-Guzmán, Eva
item.page.secondaryauthor
item.page.director
Publisher
“George Enescu” National University of Arts from Iasi, Romania
publication.page.editor
publication.page.department
DOI
item.page.type
info:eu-repo/semantics/article
Description
Abstract
Con el presente texto nos adentramos en las aportaciones que el surrealismo, a través de su experimento creativo llamado Cadáver exquisito, ofrece para generar metodologías de trabajo en la creación compartida. Desde este experimento y sus variantes, revisamos un conjunto de experiencias artísticas colectivas que hemos desarrollado en los últimos años, relacionado con contextos artísticos, sociales y comunitarios. La idea que hace fluir este tipo de creaciones es el nacimiento de un cuerpo común, entendido como colectividad, que crece desde la suma de aportaciones individuales. El cadáver exquisito es un juego de gran interés para la activación de la creación colectiva, que se da en el espacio-ambiente y que concluye en una obra ante la cual la sorpresa del encuentro con lo inesperado hace emerger los vínculos vividos en el proceso. Según esto, lo interesante de estas experiencias no son sólo los resultados, sino el mismo proceso de creación y aquello que se activaba a nivel relacional y colectivo. Las experiencias mostradas invitan a vagar invirtiendo el orden lógico de la actividad creadora, en el sentido de entregarse a los procesos de forma despreocupada, a habitar nuevos escenarios, a deambular por ellos y permitir que surjan nuevas imágenes del mundo.
With this text, we venture through the contributions which surrealism offers to generate working methodologies for collective creation by an experiment called Cadáver exquisito. From this experiment and its variants, we review a set of collective artistic experiences that we have been developing in the past years, related to artistic, social and community contexts. The idea that makes this type of creations is the birth of a shared body, understood as collectivity, that grows from the combination of individual contributions. The “cadáver exquisito” is a game of interest for the activation of collective creation. It concludes in a work that, by surprising you with the unexpected, leads to the appearance of the bonds experienced in the process. According to this, the interesting thing about these experiences are not only the results, but the same process of creation and what was activated at the relational and collective level. The experiences shown invite you to wander around reversing the logical order of creative activity, in the sense of surrendering to the processes in a carefree way, to inhabit new scenarios, to roam through them and allow new images of the world to emerge.
With this text, we venture through the contributions which surrealism offers to generate working methodologies for collective creation by an experiment called Cadáver exquisito. From this experiment and its variants, we review a set of collective artistic experiences that we have been developing in the past years, related to artistic, social and community contexts. The idea that makes this type of creations is the birth of a shared body, understood as collectivity, that grows from the combination of individual contributions. The “cadáver exquisito” is a game of interest for the activation of collective creation. It concludes in a work that, by surprising you with the unexpected, leads to the appearance of the bonds experienced in the process. According to this, the interesting thing about these experiences are not only the results, but the same process of creation and what was activated at the relational and collective level. The experiences shown invite you to wander around reversing the logical order of creative activity, in the sense of surrendering to the processes in a carefree way, to inhabit new scenarios, to roam through them and allow new images of the world to emerge.
publication.page.subject
Citation
Studies in Visual Arts and Communication - an international journal,Vol. 8, No 1 (2021) on-line. ISSN 2393-1221
item.page.embargo
Collections
Ir a Estadísticas
Este ítem está sujeto a una licencia Creative Commons. http://creativecommons.org/licenses/by-nd/4.0/