Publication: Live Cinema: redefiniendo la narración audiovisual
Authors
Munárriz Ortiz, Jaime
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Publisher
Murcia: Servicio de Publicaciones de la Universidad de Murcia
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DOI
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info:eu-repo/semantics/article
Description
Abstract
El Live Cinema se propone como una redefinición del lenguaje
narrativo audiovisual, enfrentándose a prácticas de proyecciones
en directo estrictamente plasticistas o abstractas. Defendemos
la importancia del factor narrativo, de la búsqueda de un
nuevo lenguaje fluido, basado en asociaciones y deslizamientos
de significado. Se han analizado las diversas definiciones del
término propuestas por los artistas más implicados en una
conceptualización de esta práctica artística, destacando los
aspectos esenciales que lo separan de otras prácticas audiovisuales
performativas. El nuevo modo narrativo se analiza desde las
teorías de la imagen líquida, y se propone como mecanismo de
producción de significado especialmente adecuado en nuestro
entorno de acumulación visual en continua transformación, un
reflejo del instante permanente en el que nos hayamos.
ABSTRACT: Live Cinema is proposed as a redefinition of narrative audiovisual language, confronting to strictly aesthetic or plasticist live projection practices. We defend the importance of the narrative factor, the search for a new fluid language, based on associations and glides of meaning. The different versions of this term proposed by the artists involved on this artistic practice conceptualization have been analysed, signalling out the essential aspects which take it apart from different performative audiovisual practices. The new narrative mode is analysed from liquid image theories, and it is proposed as a meaning production mechanism specially accord to our ever transforming visual accumulation environment, a reflection of the permanent instant in which we are embedded.
ABSTRACT: Live Cinema is proposed as a redefinition of narrative audiovisual language, confronting to strictly aesthetic or plasticist live projection practices. We defend the importance of the narrative factor, the search for a new fluid language, based on associations and glides of meaning. The different versions of this term proposed by the artists involved on this artistic practice conceptualization have been analysed, signalling out the essential aspects which take it apart from different performative audiovisual practices. The new narrative mode is analysed from liquid image theories, and it is proposed as a meaning production mechanism specially accord to our ever transforming visual accumulation environment, a reflection of the permanent instant in which we are embedded.
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