Publication: Las razones de la brevedad en las poéticas dramáticas
Authors
Rodríguez Alonso, Mariángeles
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Publisher
Murcia: Universidad de Murcia, Editum
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Description
Abstract
Las poéticas dramáticas, desde Aristóteles a la
actualidad, han dedicado tiempo y espacio a prescribir
la conveniente extensión de la pieza teatral
así como la adecuada articulación de su temporalidad.
La cuestión de la mayor o menor dilatación
del tiempo diegético ha gozado de un lugar central
en dichas discusiones teóricas a lo largo del tiempo.
Tras un rápido recorrido por algunas de las
formas breves del teatro español así como por los
principales estudiosos que las abordan, nos detendremos
en la consustancial brevedad del género
dramático. No solo supone esta una demarcación
espaciotemporal sino que conlleva implicaciones
defnitorias del género. El límite de extensión
comporta la necesaria síntesis del tiempo dramá-
tico y la construcción del discurso deberá atender
a un doble principio de intensidad y economía. El
carácter dramático del tiempo teatral viene dado,
por tanto, por la urgencia y la densidad que exige
su consustancial brevedad.
Dramatic poetics, from Aristotle until the present, have devoted time and space to prescribe the convenient extension of the play as well as the appropriate articulation of its temporality. The issue of the duration of diegetic time has played a central role in theoretical discussions over time. After a quick overview of certain short forms of Spanish drama as well as of the principal scholars who study this topic, we will stop at the inherent brevity of the genre. This is not only a time-space demarcation but it also carries implications that defne the genre. The limited length that characterizes the genre entails the necessary synthesis of dramatic time. At the same time, the construction of dramatic discourse must serve a dual principle of intensity and economy. The dramatic nature of theatrical time is given, therefore, by the urgency and the density compelled by its inherent brevity
Dramatic poetics, from Aristotle until the present, have devoted time and space to prescribe the convenient extension of the play as well as the appropriate articulation of its temporality. The issue of the duration of diegetic time has played a central role in theoretical discussions over time. After a quick overview of certain short forms of Spanish drama as well as of the principal scholars who study this topic, we will stop at the inherent brevity of the genre. This is not only a time-space demarcation but it also carries implications that defne the genre. The limited length that characterizes the genre entails the necessary synthesis of dramatic time. At the same time, the construction of dramatic discourse must serve a dual principle of intensity and economy. The dramatic nature of theatrical time is given, therefore, by the urgency and the density compelled by its inherent brevity
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