Publication: El artista como alertador de incendios
Authors
Solanova Burguera, Marisol
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Ha habido un cambio de paradigma en cuanto al artista como creador, activista y
ahora casi político. Basándonos en los acontecimientos más atroces que marcaron el siglo
XX con una mirada retrospectiva que afecta al presente, la actual proliferación de grupos
fascistas y homófobos en Europa, las revoluciones de la Primavera Árabe y el conficto entre
feminismos orientales y occidentales, el sistema patriarcal islámico y la distancia ontológica
respecto de mujeres que defenden su derecho a llevar velo, este artículo profundiza en la
importancia del arte como herramienta política de cambio frente a una inminente amenaza
totalitarista casi olvidada.
Tere has been a paradigm shift in terms of the artist as creator, and now almost a political activist. Based on the most atrocious events that marked the twentieth century, the growing proliferation of current and homophobic fascist groups in Europe today, the revolutions of the Arab Spring and the confict between Eastern and Western feminisms, Islamic patriarchal cultures and the ontological distance with women who defend their right to wear a veil, this article explores the importance of art as a political tool against an imminent change in a totalitarian threat almost forgotten.
Tere has been a paradigm shift in terms of the artist as creator, and now almost a political activist. Based on the most atrocious events that marked the twentieth century, the growing proliferation of current and homophobic fascist groups in Europe today, the revolutions of the Arab Spring and the confict between Eastern and Western feminisms, Islamic patriarchal cultures and the ontological distance with women who defend their right to wear a veil, this article explores the importance of art as a political tool against an imminent change in a totalitarian threat almost forgotten.
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