Publication: Albert Camus desde Bergson: la peste o la desmaterialización
Authors
Herrera Pino, Alberto
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Publisher
Universidad de Murcia. Servicio de Publicaciones
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DOI
https://doi.org/10.6018/daimon/269051
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info:eu-repo/semantics/article
Description
Abstract
A continuación estudiamos algunos aspectos de la influencia de la filosofía de Henri Bergson en Albert Camus. Trataremos de ver cómo ello nos encamina, por un lado, a lo
sensitivo o estético como llave para la comprensión filosófica de la obra de Camus y, por otro,
a entender la conformación de dos de sus temas
recurrentes, el absurdo y la peste, como conceptos ajenos entre sí, contra otra interpretación más
habitual que los entiende como consecutivos o
interrelacionados. Así, este análisis pretende
poner en claro la relación crucial que el cuerpo y
sus imágenes tienen con respecto a la valoración
antropológica y cosmológica camusianas.
The article studies certain aspects of Henri Bergson’s influence on Albert Camus. It constitutes an attempt to elucidate two questions: on one hand, how the aesthetic or sensitive in Bergson is a key to Camus’ philosophical work. And on the other, to an understanding of two of Camus’ key recurrent tropes; the absurd and the plague, as two well defined and distinctive concepts, in contrast with the more commonly accepted interpretation of those concepts as a continuum of interrelated concepts that follow each other somehow diachronically. Thus, the ultimate intention of this analysis is to give a clear image of the crucial relation in Camus’ work between both The Body and its images and his anthropological and cosmological valuation.
The article studies certain aspects of Henri Bergson’s influence on Albert Camus. It constitutes an attempt to elucidate two questions: on one hand, how the aesthetic or sensitive in Bergson is a key to Camus’ philosophical work. And on the other, to an understanding of two of Camus’ key recurrent tropes; the absurd and the plague, as two well defined and distinctive concepts, in contrast with the more commonly accepted interpretation of those concepts as a continuum of interrelated concepts that follow each other somehow diachronically. Thus, the ultimate intention of this analysis is to give a clear image of the crucial relation in Camus’ work between both The Body and its images and his anthropological and cosmological valuation.
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Absurdo , Peste , Intuición , Albert Camus , Henri Bergson , Imagen , Absurd , Plague , Intuition , Image
Citation
Daimon. Revista Internacional de Filosofía, 2016, Suplemento 5, pp. 269-277
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