Arte y políticas de identidad Vol.32 (2025)

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https://hdl.handle.net/10201/150157

Arte urbano como arte de contexto: Espacios, relaciones y formas de conservación

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Now showing 1 - 5 of 15

Open Access
Desvíos, atajos y otras excursiones. Materiales para una nueva cartografía de los lenguajes artísticos
(Servicio de Publicaciones de la Universidad de Murcia, 2025) Pérez Nieto, Virginia; Departamentos
Recensión de la publicación: Tejeda Martín, Isabel (Ed.) (2023). Desvíos, atajos y otras excursiones. Materiales para una nueva cartografía de los lenguajes artísticos. Valencia: Sendemà. 256 pp. ISBN 978-84-127962-7-8.
Open Access
La afectividad de los hilos. Generar rituales a partir del gesto colectivo de tejer
(Servicio de Publicaciones de la Universidad de Murcia, 2025) Ordóñez Aguilar, Lara; Vilar García, Sara; Tomás Marquina, Daniel; Departamentos
This paper describes a research project focused on exploring how, through the creation of small textile pieces, ties are generated that help to promote community relations. The proposed practices include the creation of individual and collective pieces. The conversations that are generated during these processes, on topics such as oral memory, cultural identity and the meaning of colors and textures in relation to the feeling of belonging and community. We highlight the role of textile language as a means of communication and expression, as well as its capacity to generate community spaces for reflection. This approach allows us to demonstrate how it is possible to generate spaces for transdisciplinary knowledge through the gesture of weaving in a group, recovering techniques and knowledge from the oral tradition and applying them to contemporary artistic production based on a methodology derived from critical pedagogy. The activities take place in an environment of dialogue, solidarity and empowerment, where participants become co-producers of knowledge through artistic creation. This is why these processes are presented as a valuable tool for social development by fostering collaborative environments.
Open Access
Procesos de participación e identificación en la música callejera
(Servicio de Publicaciones de la Universidad de Murcia, 2025) Sors Rodríguez, Susana; Departamentos
Starting from a perspective that observes certain hardships in the configuration of strong, lasting social bonds in modern urban contexts, this article studies how people interact in street music situations. Thinking of street music from the perspective of performance and through the ethnographic fieldwork method, it observes different kinds of social interactions in contexts of street music (bodily language, verbal communication and the interchange of gifts) and it presents how, though emotions, they are expressing modes of identification with certain social groups. The article sets out the possibility of regarding some aspects of street music as context art: mainly, it observes street music in relation to its urban context.
Open Access
Políticas y poéticas del agua. (Reseña de exposición)
(Servicio de Publicaciones de la Universidad de Murcia, 2025) Varela Manograsso, Julieta; Departamentos
Es reseña de: La exposición Políticas y poéticas del agua. Alberto Berzosa. 2 al 13 de diciembre de 2024 en el Bizkaia Aretoa-UPV/EHU de Bilbao,
Open Access
Colmenas racionales y sus polizones. La experiencia urbana en el videoarte español y surcoreano
(Servicio de Publicaciones de la Universidad de Murcia, 2025) García, Rosa; Porcel, Adrián; Departamentos
This article develops an analysis of various video art pieces created by Spanish and South Korean artists focused on the problems of the contemporary city and the complex relationship with its inhabitants. Video creation is used in this framework as a subversive tool to question and reinterpret the symbols and meanings that establish power hierarchies, exploring the logic that affects bodies. In this way, the sense of strangeness inherent in urban life and the ability of art to demonstrate it is emphasized. By directly capturing the reciprocal interaction between the city and the subjective experiences of individuals, its potential to generate counter-discourses is revealed, proposing narratives that confront and destabilize accepted truths and existing dynamics. The cultural exchange fostered by the selection of pieces aims to show unanimity about these concerns, highlighting that they are common, regardless of the contexts in which they arise.

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