Publication: La conexión realista entre la narrativa de Houellebecq y la filosofía de Ferraris
Authors
Amores Fúster, Miguel
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Abstract
Le but de cet article est de démontrer la
connexion théorique sur la question du
réalisme qui existe entre la pensée de Maurizio
Ferraris et l’œuvre narrative de Michel
Houellebecq. Ferraris argumente qu’un des
problèmes majeurs actuels est notre incapacité
à établir une notion claire et stable de “réalité”.
La postmodernité aurait pris à l’extrême la
formule de Nietzsche: “Il n’y a pas de faits,
seulement des interprétations”. Et cela aurait
généré une incertitude structurelle entourant la
réalité que Ferraris appelle “réalitysme” et dont
les processus principaux sont la “ironisation”,
la “désublimation” et la “désobjectivisation”
des contenus du monde. Ici, nous soutiendrons
que le vérisme des romans de Houellebecq peut
être codé comme une décantation fictionnelle
réaliste de cette incapacité structurelle à
comprendre la réalité.
The aim of this paper is to show the theoretical connection between the thought of Maurizio Ferraris and the narrative works of Michel Houellebecq on the question of realism. Ferraris argues that one of our biggest problems today is our inability to establish a clear and stable notion of “reality”. Postmodernism would have taken to the extreme Nietzsche’s sentence: “There are no facts, only interpretations”. And this would have generated a structural uncertainty with respect to the reality that Ferraris calls “realitysm” and whose main processes are “ironization”, “desublimation” and “disobjectivization” of world contents. Here it will be argued that the verism of Houellebecq’s novels can be coded as a realistic fictional decantation of this structural inability to understand reality.
The aim of this paper is to show the theoretical connection between the thought of Maurizio Ferraris and the narrative works of Michel Houellebecq on the question of realism. Ferraris argues that one of our biggest problems today is our inability to establish a clear and stable notion of “reality”. Postmodernism would have taken to the extreme Nietzsche’s sentence: “There are no facts, only interpretations”. And this would have generated a structural uncertainty with respect to the reality that Ferraris calls “realitysm” and whose main processes are “ironization”, “desublimation” and “disobjectivization” of world contents. Here it will be argued that the verism of Houellebecq’s novels can be coded as a realistic fictional decantation of this structural inability to understand reality.
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