Publication: De Palomino a Ceán Bermúdez: la biografía de artistas
durante el siglo XVIII
Authors
García López, David
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
El artículo estudia el fenómeno de la biografía artística durante el siglo XVIII en
España. Desde El Parnaso Español de Antonio Palomino hasta el Diccionario histórico de
Ceán Bermúdez hubo un profundo cambio en el estudio de las biografías de artistas motivado
por el nuevo método de estudio sobre las Bellas Artes, que incluyó un mayor sentido crítico y
el apoyo de investigaciones documentales.
Te article studies artists’ biographies gender in Eighteenth Century Spain. From Antonio Palomino’s El Parnaso Español to Ceán Bermúdez’s Diccionario histórico a new kind of criticism emerged, which was to have play a large role in the coming years: artists’ biographies in Vasari tradition were no longer deemed the best method for presenting information about the art of the past. Teir research had to have a more solid basis; thus, the new writers on Fine Arts frequently visited archives to compare their results with documentary sources.
Te article studies artists’ biographies gender in Eighteenth Century Spain. From Antonio Palomino’s El Parnaso Español to Ceán Bermúdez’s Diccionario histórico a new kind of criticism emerged, which was to have play a large role in the coming years: artists’ biographies in Vasari tradition were no longer deemed the best method for presenting information about the art of the past. Teir research had to have a more solid basis; thus, the new writers on Fine Arts frequently visited archives to compare their results with documentary sources.
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