Publication: Tal vez todo: Jonny Greenwood como epítome del posmodernismo en música.
Authors
Andreo Gázquez, Francisco José ; Andreo Gázquez, Francisco José
item.page.secondaryauthor
item.page.director
Publisher
Conservatorio Superior de Música de Castilla - La Mancha
publication.page.editor
publication.page.department
DOI
item.page.type
info:eu-repo/semantics/article
Description
Abstract
Los fenómenos de eclecticismo y de difuminación de fronteras entre lo popular y lo académico de las últimas décadas vienen recogiéndose bajo el paraguas conceptual de posmodernismo. Ofrecemos aquí un estudio sobre un ejemplo significativo para el ámbito musical: el caso de Jonny Greenwood. Integrante del grupo de éxito Radiohead, y compositor de bandas sonoras, su labor creativa se ha acercado también al ámbito de la música de arte contemporánea, especialmente a la música textural y a la figura de Krzysztof Penderecki. Desgranamos estas relaciones e influencias que discurren en doble sentido: tanto en la obra sinfónica de Greenwood como en la música de Radiohead.
The phenomena of eclecticism and diffusion of borders between the popular and the academic in the last decades have been recognized under the conceptual umbrella of postmodernism. We offer here a study on a significant example for the musical field: the case of Jonny Greenwood. Member of the successful group Radiohead, and composer of film soundtracks, his creative work has also approached the field of contemporary art music, especially textural music and the figure of Krzysztof Penderecki. We discuss here these relationships and influences that run in two directions: both in Greenwood's symphonic work and in Radiohead's music.
The phenomena of eclecticism and diffusion of borders between the popular and the academic in the last decades have been recognized under the conceptual umbrella of postmodernism. We offer here a study on a significant example for the musical field: the case of Jonny Greenwood. Member of the successful group Radiohead, and composer of film soundtracks, his creative work has also approached the field of contemporary art music, especially textural music and the figure of Krzysztof Penderecki. We discuss here these relationships and influences that run in two directions: both in Greenwood's symphonic work and in Radiohead's music.
publication.page.subject
Citation
Consonancias. Nº4, junio de 2025, pp. 19-29
item.page.embargo
Collections
Ir a Estadísticas
Este ítem está sujeto a una licencia Creative Commons. http://creativecommons.org/licenses/by-nc-nd/4.0/