Publication: Análisis de Las vigilias de Bonaventura (1804) desde un enfoque literario y filosófico
Authors
Montaner Bueno, Andrés ; Palomares Marín, Mari Cruz
item.page.secondaryauthor
item.page.director
Publisher
Murcia: Universidad de Murcia, Editum
publication.page.editor
publication.page.department
DOI
item.page.type
info:eu-repo/semantics/article
Description
Abstract
El presente estudio pretende
ofrecer un deslinde del contenido
de una obra bastante desconocida en
el panorama de la crítica literaria actual
como es Las vigilias de Bonaventura
(1804). La misma ha sido atribuida
a diferentes autores tales como C.
Brentano, Schelling o E. T. A. Hoffmann,
pero hoy en día se considera
que fue escrita por August Klingemann.
A través del análisis de sus páginas
mostramos algunos de los elementos
más prototípicos de la imaginería
romántica que en ellas se encuentran
presentes y otros motivos
temáticos que resultan ciertamente un
anticipo de lo que será el núcleo de
corrientes humanísticas posteriores.
Para ello, empleamos un enfoque
transdisciplinar basado en la conjunción
de la literatura y la filosofía.
The current study aims to provide a demarcation of the contents of a rather unknown work in the panorama of contemporary literary criticism as The night watches of Bonaventura (1804). It has been attributed to different authors such as C. Brentano, Schelling or ETA Hoffmann, but today it is considered that it was written by August Klingemann. Through the analysis of its pages we show some of the most prototypical elements of romantic imagery that are presented and other thematic motifs that result certainly a foretaste of what will be the current node of subsequent humanistic. To do this, we employ a transdisciplinary approach based on the combination of literature and philosophy.
The current study aims to provide a demarcation of the contents of a rather unknown work in the panorama of contemporary literary criticism as The night watches of Bonaventura (1804). It has been attributed to different authors such as C. Brentano, Schelling or ETA Hoffmann, but today it is considered that it was written by August Klingemann. Through the analysis of its pages we show some of the most prototypical elements of romantic imagery that are presented and other thematic motifs that result certainly a foretaste of what will be the current node of subsequent humanistic. To do this, we employ a transdisciplinary approach based on the combination of literature and philosophy.
publication.page.subject
Citation
item.page.embargo
Collections
Ir a Estadísticas
Sin licencia Creative Commons.