Publication: Cuando el cuerpo habla… Huellas de la Historia en el presente de la juventud de Tactic, Alta Verapaz, Guatemala.
Authors
García von Hoegen, Magda
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info:eu-repo/semantics/article
Description
Abstract
El presente artículo recoge la experiencia trabajada en la investigación “Tejiendo la
voz. Arte como plataforma de diálogo intercultural. Resistencias, continuidades y
adaptaciones históricas de jóvenes en Alta Verapaz, Guatemala, a inicios del siglo XXI”,
presentada como tesis doctoral en el programa Historia de América Latina. Mundos
indígenas, de la Universidad Pablo de Olavide, Sevilla. Este proyecto también formó parte de
un proceso de investigación realizado de 2013 a 2015 en la Universidad Rafael Landívar,
Guatemala.
En contextos profundamente complejos como el guatemalteco, se lleva a cabo apuesta por el
cuerpo como fuente de indagación histórica y construcción de conocimiento. Se cuestiona la
idea de lo racional como única vía para comprender la realidad, mediante el abordaje de la
persona en su integralidad y en su capacidad de transformación social. El proceso creativo
artístico, se concibe como herramienta para entender el presente y su hilo conductor con la
historia. En tal sentido, las fuentes orales y la micro historia, son herramientas fundamentales
para profundizar en los contextos sociales abordados.
This article presents the experience of the research "Weaving the voice. Art as a platform for intercultural dialogue. Resistances, continuities and historical adaptations of young people in Alta Verapaz, Guatemala, at the beginning of the 21st century”, presented as a doctoral thesis in the History of Latin America, Indigenous Worlds program, from the Pablo de Olavide University, Seville. This project was also part of a research process carried out from 2013 to 2015 at Rafael Landívar University, Guatemala. In deeply complex contexts such as the guatemalan, a commitment is made to the body as a source of historical inquiry and knowledge construction. The idea of the rational is questioned as the only way to understand reality, by approaching the person in its integrality and in its capacity for social transformation. The artistic creative process is conceived as a tool to understand the present and its conductive thread with history. Oral sources and micro history, are fundamental tools to deepen the social contexts addressed.
This article presents the experience of the research "Weaving the voice. Art as a platform for intercultural dialogue. Resistances, continuities and historical adaptations of young people in Alta Verapaz, Guatemala, at the beginning of the 21st century”, presented as a doctoral thesis in the History of Latin America, Indigenous Worlds program, from the Pablo de Olavide University, Seville. This project was also part of a research process carried out from 2013 to 2015 at Rafael Landívar University, Guatemala. In deeply complex contexts such as the guatemalan, a commitment is made to the body as a source of historical inquiry and knowledge construction. The idea of the rational is questioned as the only way to understand reality, by approaching the person in its integrality and in its capacity for social transformation. The artistic creative process is conceived as a tool to understand the present and its conductive thread with history. Oral sources and micro history, are fundamental tools to deepen the social contexts addressed.
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