Publication: Ficción e historia en el siglo XXI. El nomos narrativo en la novela española actual
Authors
Navajas, Gonzalo
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
https://doi.org/10.6018/monteagudo.400171
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info:eu-repo/semantics/article
Description
Abstract
Estudio de la metodología narrativa seguida por
tres novelas españolas recientes con relación al
tratamiento de la temporalidad histórica nacional
centrada en dos episodios especialmente traumá
-
ticos de esa historia: la Guerra Civil y el terro-
rismo de eTA. Los textos son
El monarca de las
sombras
de Javier Cercas,
Patria
de Fernando
Aramburu y
Eva
de Arturo Pérez-Reverte.
esos
textos ficcionales plantean una versión histórica
diferencial en la que se ponen en cuestionamiento
las conclusiones y el enjuiciamiento convencio
-
nales de esos hechos. Al mismo tiempo, propo-
nen una lectura hermenéutica abierta que puede
generar nuevos modos de visualizar y evaluar la
historia nacional.
Study of the narrative methodology used in three recent spanish novels regarding their treatment of the national historical temporality focusing on two especially traumatic episodes of that history: the spanish Civil War and eTA terrorism. The novels are: El monarca de las sombras by Javier Cercas, Patria by Fernando Aramburu and Eva by Arturo Pérez-Reverte. These fictional texts ad - vance a differential version of those episodes and they question the conventional conclusions and evaluation of the facts at hand. At the same time, those novels propose an open hermeneutic read- ing that may generate new ways of visualizing and evaluating spanish national history
Study of the narrative methodology used in three recent spanish novels regarding their treatment of the national historical temporality focusing on two especially traumatic episodes of that history: the spanish Civil War and eTA terrorism. The novels are: El monarca de las sombras by Javier Cercas, Patria by Fernando Aramburu and Eva by Arturo Pérez-Reverte. These fictional texts ad - vance a differential version of those episodes and they question the conventional conclusions and evaluation of the facts at hand. At the same time, those novels propose an open hermeneutic read- ing that may generate new ways of visualizing and evaluating spanish national history
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