Publication: Arte y escultura sonora. Del sonido como objeto al objeto sonoro
Authors
Picado Fernández, Vera I.
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Publisher
Murcia: Servicio de Publicaciones de la Universidad de Murcia
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Description
Abstract
El encuentro de “lo sonoro y lo visual” da origen a dos prácticas
diferentes que son el arte sonoro y la escultura sonora. El primero
privilegia el aspecto auditivo proponiendo obras intangibles;
la segunda produce esculturas, máquinas u objetos cuyos
componentes materiales emiten sonidos. Este artículo tiene
como objetivo principal comprender los acontecimientos que
llevan a incorporar el sonido en la escultura, y los usos que ésta
hace del mismo. Se privilegian aquellos ejemplos de artistas y de
obras que utilizan el movimiento para producir ruidos y sonidos,
que introducen fenómenos inmateriales dinámicos como son el
tiempo y el ritmo
ABSTRACT: The encounter of “sounds and visuals” finds its origin in two different practices which comprise sound art and sound sculptures. The first of these favors the auditory aspects proposing intangible works; the second produces sculptures, machines or objects whose material components emit sounds. This article’s main objective is to understand the elements that allow the integration of sound into sculptures, and the uses that this practice creates in doing so. An emphasis is put on specific examples of artists and their works that use movement to produce noises and sounds that introduce dynamic immaterial phenomenon such as time and rhythm.
ABSTRACT: The encounter of “sounds and visuals” finds its origin in two different practices which comprise sound art and sound sculptures. The first of these favors the auditory aspects proposing intangible works; the second produces sculptures, machines or objects whose material components emit sounds. This article’s main objective is to understand the elements that allow the integration of sound into sculptures, and the uses that this practice creates in doing so. An emphasis is put on specific examples of artists and their works that use movement to produce noises and sounds that introduce dynamic immaterial phenomenon such as time and rhythm.
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