Publication: La cultura del mar como palimpsesto cultural y tópico para la formación literaria : de la tradición clásica
a Gómez de la Serna y Neruda
Authors
Martos García, Aitana ; Martínez Ezquerro, Aurora
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Publisher
Universidad de Zaragoza, Asociación Universitaria de Formación del Profesorado (AUFOP)
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Description
Abstract
Según la tesis de las tres edades de la mirada (Debray, 1994), se realizan tres calas para apreciar la naturaleza
cambiante de las representaciones de las ninfas en distintas etapas culturales. Primero, su valor sagrado en la tradición mitológica griega; segundo, la mirada estética y su apropiación de mitos de ninfas hasta llegar a escritores de la modernidad
literaria (Gómez de la Serna y Neruda); y tercero, su
interés como icono publicitario según las modernas narrativas
de marca. Se cotejan estos mitos y se propone una apertura hermenéutica que integra nuevas lecturas alternativas de la naturaleza y lo femenino. Estos símbolos y etnotextos ofrecen imaginarios de personificaciones femíneas y son palimpsestos
de mensajes y oráculos clásicos.
According to the thesis of the three ages of looking (Debray, 1994), three coves are created to appreciate the changing nature of nymphs in different cultural stages. First, its sacred value in the Greek mythological tradition; secondly, the aesthetic look and its appropriation of the myths of nymphs, until we reach famous figures of literary modernism (Gómez de la Serna and Neruda); and finally, its value as an advertising icon in keeping with modern brand narratives. We compare these myths to underline their similarities and differences in narrative patterns, contexts, etc., and we propose a hermeneutic opening to integrate new alternative readings about nature and femininity. Many of these symbols and ancient ethnotexts offer imaginary female personifications and are therefore palimpsests of classical messages and oracles.
According to the thesis of the three ages of looking (Debray, 1994), three coves are created to appreciate the changing nature of nymphs in different cultural stages. First, its sacred value in the Greek mythological tradition; secondly, the aesthetic look and its appropriation of the myths of nymphs, until we reach famous figures of literary modernism (Gómez de la Serna and Neruda); and finally, its value as an advertising icon in keeping with modern brand narratives. We compare these myths to underline their similarities and differences in narrative patterns, contexts, etc., and we propose a hermeneutic opening to integrate new alternative readings about nature and femininity. Many of these symbols and ancient ethnotexts offer imaginary female personifications and are therefore palimpsests of classical messages and oracles.
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