Publication: Identidad, autorepresentación y discurso decolonial en las letras del albúm debut del grupo Mapuche Peumayen
Authors
Pacheco Pailahual, Stefanie ; Pailahual Hernández, Katherin
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Publisher
Murcia: Servicio de publicaciones de la Universidad de Murcia
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DOI
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info:eu-repo/semantics/other
Description
Abstract
Este artículo estudia la presencia de los conceptos de dominador/
opresor y dominado/oprimido como nociones contextuales
donde se observan representaciones discursivas de la banda
de rock
Mapuche
Peumayen
. Para ello, se objetiva a este grupo
musical como un sujeto político que a su vez constituye un hecho
discursivo. Este estudio se dispone a observar estos conceptos
desde la discursividad, visibilizando la postura de reivindicación
cultural y política desarrollada por esta agrupación en su obra
musical. Metodológicamente se utiliza el modelo del Análisis
Complejo Crítico del Discurso, tomando las letras de las canciones
de su primer disco como base de análisis.
ABSTRACT: This article studies the presence of the concepts of dominator/ oppressor and dominated/oppressed as contextual notions where discursive representations of the rock band Mapuche Peumayen are observed. With that in mind, it’s my objective to value this musical group as a political subject that in turn constitutes a discursive fact. This study aims to observe these concepts from discursiveness, visibilizing the position of cultural and political claim developed by this musical group in their musical work. Methodologically, the model of the Critical Complex Analysis of the Discourse is used, using the lyrics of the songs of their first disc as the base of analysis.
ABSTRACT: This article studies the presence of the concepts of dominator/ oppressor and dominated/oppressed as contextual notions where discursive representations of the rock band Mapuche Peumayen are observed. With that in mind, it’s my objective to value this musical group as a political subject that in turn constitutes a discursive fact. This study aims to observe these concepts from discursiveness, visibilizing the position of cultural and political claim developed by this musical group in their musical work. Methodologically, the model of the Critical Complex Analysis of the Discourse is used, using the lyrics of the songs of their first disc as the base of analysis.
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