Publication: La retórica de la interculturalidad y el sujeto migrante en "Canto general" de Pablo Neruda
Authors
Fernández Cozman, Camilo
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Canto general es manifestación de una retórica intercultural en América
Latina y trabaja en cuatro niveles: la lengua, la estructuración literaria, las
estructuras figurativo-simbólicas y la cosmovisión. El poeta emplea un
registro heterogéneo desde el formal hasta el coloquial; asimismo,
estructura su texto como un poema épico-lírico, utiliza un vasto registro
metafórico y rinde culto a la piedra a la manera de las civilizaciones
amerindias. Además, en Canto general aparece la figura del sujeto
migrante, descentrado, que se desplaza de lugar dinámicamente y cuya
memoria se halla fragmentada. Así, Neruda recrea, la historia de América
Latina desde sus orígenes hasta nuestros días.
Canto general is an expression of intercultural rhetoric in Latin American and unfolds at four defined levels: 1) the one of language, 2) of literary structure, 3) of figurative and symbolic structures and 3) of world vision. The poet displays an ample register, from the formal to the colloquial, while framing his work within the parameters of epic genre. His metaphoric spectrum is wide and pays tribute to the various pre-Columbian cultures. Furthermore, in Canto general we find the displaced individual, the decentered one that moves from one place to the other in a dynamic manner, and one whose memory is fragmented besides. Thus, Neruda traces Latin American history back from its origins to present day.
Canto general is an expression of intercultural rhetoric in Latin American and unfolds at four defined levels: 1) the one of language, 2) of literary structure, 3) of figurative and symbolic structures and 3) of world vision. The poet displays an ample register, from the formal to the colloquial, while framing his work within the parameters of epic genre. His metaphoric spectrum is wide and pays tribute to the various pre-Columbian cultures. Furthermore, in Canto general we find the displaced individual, the decentered one that moves from one place to the other in a dynamic manner, and one whose memory is fragmented besides. Thus, Neruda traces Latin American history back from its origins to present day.
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Citation
Tonos digital, nº 32, 2017
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