Publication: Amores, interpretaciones y miradas. La intelectualidad franquista ante lo ibérico en los años cuarenta
Authors
Rivero Machina, Antonio
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Desde una perspectiva histór
ico
-
literaria
,
el trabajo planteado se propone
rastrear los fundamentos ideológicos
en torno al mito de lo ibérico
presentes en determinadas figuras de la intelectualidad franqu
ista, todas
ellas de primera línea, así como su repercusión en las relaciones
diplomáticas entre las dos naciones
peninsulares
en la década de los
cuarenta
. Para ello se repasa
n
los precedentes directos del pensamiento
iberista
asumido y
fagocitado por
amb
as dictaduras
, desde el
regeneracionismo de Ganivet al integralismo de Sardinha.
Todo este
material ideológico fue particularmente tratado y desarrollado por figuras de
relevancia en el ámbito cultural más próximo a la dictadura militar
acaudillada por Fra
ncisco Franco. En este sentido, sobresalen las figuras de
Eugenio d ́Ors y sus abundantes glosas a propósito de Portugal; la labor y
pensamiento de Eugenio Montes sintetizadas en su
Interpretación de
Portugal
de 1944
;
el lirismo de Pedro de Lorenzo en
Y al
oeste Portugal
de
1946;
o
el lusitanismo de Ernesto Giménez Caballero, al servicio de la
exaltación franquista en
Amor a Portugal
de 1949
.
Se
enfoca
con ello
un
corpus literario más extenso, largamente celebrado por el oficialismo de
ambos regímenes, que o
frece un pensamiento cerrado y dirigido al servicio
de los intereses diplomáticos
de dos regímenes dictatoriales
. Su
conocimiento, al margen de consideraciones éticas y estéticas, se nos
revela fundamental para el correcto análisis de las relaciones litera
rias 2
hispano
-
portuguesas en la década de los cuarenta y su repercusión en las
élites culturales y de poder
From a historical and literary perspective, the proposed work a ims to trace the ideological foundations around the myth of the Iberian in certain figures of the Franco ́s intelligentsia, and its impact on diplomatic relations between the two nations in the forties. Certain precedents of this movement were assumed and p hagocytosed by both regimes , from the regener ativism of Ganivet to integralism of Sardinha are reviewed. This ideological material was treated and developed i n the cultural field next to the military government under the dictatorship of Francisco Franco. I n this sense, projecting figures Eugenio d'Ors and his abundant ‘glosas’ about Portugal; the work and thought of Eugenio Montes synthesized in his Interpretación de Portugal (1944) ; the lyricism of Pedro de Lorenzo in Y al oeste Portugal (1946); or the lus itanism of Ernesto Giménez Caballero, serving Franco ́s exaltation in Amor a Portugal (1949) . It focuses thereby more extensive literary corpus, long held by the ruling of the two schemes, offering a closed directed thought and diplomats serving the interes ts of two dictatorial regimes. Regardless of ethical and aesthetic considerations, know this particular discourse is essential for the proper analysis of the Spanish - Portuguese literary relations in the forties and their impact on the cultural elites and p ower
From a historical and literary perspective, the proposed work a ims to trace the ideological foundations around the myth of the Iberian in certain figures of the Franco ́s intelligentsia, and its impact on diplomatic relations between the two nations in the forties. Certain precedents of this movement were assumed and p hagocytosed by both regimes , from the regener ativism of Ganivet to integralism of Sardinha are reviewed. This ideological material was treated and developed i n the cultural field next to the military government under the dictatorship of Francisco Franco. I n this sense, projecting figures Eugenio d'Ors and his abundant ‘glosas’ about Portugal; the work and thought of Eugenio Montes synthesized in his Interpretación de Portugal (1944) ; the lyricism of Pedro de Lorenzo in Y al oeste Portugal (1946); or the lus itanism of Ernesto Giménez Caballero, serving Franco ́s exaltation in Amor a Portugal (1949) . It focuses thereby more extensive literary corpus, long held by the ruling of the two schemes, offering a closed directed thought and diplomats serving the interes ts of two dictatorial regimes. Regardless of ethical and aesthetic considerations, know this particular discourse is essential for the proper analysis of the Spanish - Portuguese literary relations in the forties and their impact on the cultural elites and p ower
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