Publication: De la imagen a la palabra: "Brigada central" de Juan Madrid
Authors
Salgado González, Natalia
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Publisher
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Description
Abstract
Este artículo analiza
Brigada Central
como
obra
pionera del subgénero procedimental
en España.
Partiendo de su antecesora, la serie americana
Hill Str
eet Blues
y
su
relación con
una
serie de
novelas de Ed McBain, se extrae
n
características
fundamentales, que todas ellas comparten. La obra de Juan Madrid parte de un guion
convertido posteriormente en
novela, con similitudes y diferencias,
debido al trasv
ase
de soporte y a la censura de guiones durante el rodaje.
Es imprescindible
analizar el
personaje principal, Flores, el gitano, precisamente por la cuestión de la raza y las
consecuencias que conlleva para él y su trabajo. Del mismo modo, es una obra
rea
lista, que muestra el procedimiento habitual de la policía, por lo que se centra en la
problemática
de la
época y el lugar en la que se enmarca, en este caso, España en la
década de los años ochenta.
This article analyzes the Central Brigade as a pioneering work of the procedural subgenre in Spain. Starting from its predecessor, the American series Hill Street Blues and its relationship wi th a series of novels by Ed McBain, fundamental characteristics are extracted, which they all share. The work of Juan Madrid is based on a script later turned into a novel, with similarities and differences, due to the transfer of support and the censor sh ip of scripts during filming. It is essential to analyze the main character, Flores, the gypsy, precisely because of ther ace and the consequences that 2 it entails for him and his work. In the same way, it is a realistic novel, which shows the usual procedu re of the police, so it focuses on the problems of the time and the place in which it is framed, in this case, Spain in the decade of the eighties
This article analyzes the Central Brigade as a pioneering work of the procedural subgenre in Spain. Starting from its predecessor, the American series Hill Street Blues and its relationship wi th a series of novels by Ed McBain, fundamental characteristics are extracted, which they all share. The work of Juan Madrid is based on a script later turned into a novel, with similarities and differences, due to the transfer of support and the censor sh ip of scripts during filming. It is essential to analyze the main character, Flores, the gypsy, precisely because of ther ace and the consequences that 2 it entails for him and his work. In the same way, it is a realistic novel, which shows the usual procedu re of the police, so it focuses on the problems of the time and the place in which it is framed, in this case, Spain in the decade of the eighties
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