Publication: Grandeur et misère de Jacques Delille.
Authors
Grijalba Castaños, Covadonga ; Paulet Dubois, Françoise
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Publisher
Universidad de Murcia, Servicio de Publicaciones.
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DOI
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info:eu-repo/semantics/article
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Abstract
Resumen: En 1782, Jacques Delille publica Les Jardins,
obra cuyo éxito duraría varios decenios. Se trata de una especie de tratado de jardinería rimado, del que examinamos el «Chant I», para extraer sus ideas y su construcción, sentir vibrar las emociones «ecologistas» de un erudito enamorado de la Antigüedad y de la naturaleza, y celebrar ese final de siglo florido en el que se inspirarán nuestros grandes románticos. Aunque no es difícil hacer un recuento de los defectos formales y de las pesadas repeticiones que estropean este largo texto, nos gustaría desempolvar a ese poeta olvidado: además de marcar la transición entre clasicismo y prerromanticismo, ha conservado un encanto que trataremos
de hacerle descubrir al lector.
Abstract: In 1782, Jacques Delille published Les Jardins, a work which success would last for several decades. It is a sort of rhymed gardening treatise, in which we analyse «Chant I», in order to extract its ideas and structure, feel the «ecological» emotions of a scholar fond of Antiquity and Nature, and to celebrate the end of that century in which our great romantics will get their inspiration. Although it is easy enough to list all the formal defects and the tedious repetitions that mangle this long poem, we would like to make this forgotten poet shine again, a poet who doesn’t only mark the transition between classicism and preromanticism, but has also conserved a charm we will try to let the reader find.
Abstract: In 1782, Jacques Delille published Les Jardins, a work which success would last for several decades. It is a sort of rhymed gardening treatise, in which we analyse «Chant I», in order to extract its ideas and structure, feel the «ecological» emotions of a scholar fond of Antiquity and Nature, and to celebrate the end of that century in which our great romantics will get their inspiration. Although it is easy enough to list all the formal defects and the tedious repetitions that mangle this long poem, we would like to make this forgotten poet shine again, a poet who doesn’t only mark the transition between classicism and preromanticism, but has also conserved a charm we will try to let the reader find.
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Citation
Grijalva Castaños, C., & Paulet Dubois, F. (2008). GRANDEUR ET MISÈRE DE JACQUES DELILLE. Anales de Filología Francesa, 16. Recuperado a partir de https://revistas.um.es/analesff/article/view/70891
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