An. filol. fr. 2021, v. 29
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- PublicationOpen AccessLa femme maghrébine et française d’origine maghrébine confrontée aux préjugés de la société française.(Universidad de Murcia, Servicio de Publicaciones., 2021) Benaicha Ziani, Naima; Ortiz García, AzuzenaAbstract: France, the founding country of the Human Rights, also known as ‘Host Land’, has received significant migratory flows throughout its history, originating from its former colonies in the Maghreb. In its various generations, Maghreb women are a key element in the overall development of French society. However, the Hexagon has always been reluctant to accept this multiculturalism. Hence, these women are considered as foreigners in their double sense: either they come from outside, or they are strange. This feeling is based on a series of prejudices and stereotypes that gravitate to the French collective subconscious. Thus, this article aims to show the continuing validity of the problematic on French identity.
- PublicationOpen AccessReseña: Vivien, R., Brun, J. C., & Sánchez, N. 2020. "Lettres inédites à Jean Charles-Brun (1900-1909)". Préface de Marie-Ange Bartholomot Bessou. Édition présentée et annotée par Nelly Sanchez. Éditions du Mauconduit, Paris, 2020, ISBN: 979-10-90566-32-3, 344 pp.(Universidad de Murcia, Servicio de Publicaciones., 2021) Fouchard, Flavie
- PublicationOpen AccessUna propuesta de nivel cero en la didáctica de los Estudios Franceses desde las TIC.(Universidad de Murcia, Servicio de Publicaciones., 2021) Vicente Castañares, EsmeraldaAbstract: The tearing easiness of access to any web content, as well as its huge quantity, make complex the application of a cero level quality informative filter. We consider this ICT screening should be done whenever students are going to use it for their own researching tasks in French Studies. This study’s essential target would like to focus on the students’ acquisition of guide ICT tools, which could help them to develop or increase a critical and selective thinking. This would enable them to take suitable decisions whenever making a choice and using ICT in a responsible, sure, collaborative, cooperative way. In order to attain these goals, we would start from a previous survey among students, with the aim to compile their possible knowledge concerning these “guide ICT tools” (example: Agencia Española de Protección de Datos’ web and its “Lista Robinson”).
- PublicationOpen AccessL’errance poétique dans "L’Imparfait de l’exil" de Narcisse Mouellé Kombi II: une postulation de l’alter-mondialisme.(Universidad de Murcia, Servicio de Publicaciones., 2021) Eyenga Onana, Pierre-SuzanneAbstract: Based on the Semiotics of Poetry conceptualised by Michaël Riffaterre, the present study postulates that Narcisse Mouellé Kombi II’s L’Imparfait de l’exil is offered as a representation of the frustrations of a poetic wandering whose base is the barbarism of contemporary African man. How then does the poet disassociate himself from these practices which both alienate and obstruct the development of man? The aim of this work is to show that Moulesian poetry postulates living together through the postulation of an alternative ideology, which we perceive as alter-mondialism. Its implementation would free man from the bosom of a Hobbesian wolf lurking in the shadows, working to damage the city through the use of violence and incongruities arising from a crisis of multiform freedoms.
- PublicationOpen AccessLa "Danse devant le miroir" de François de Curel, ou d’une “pièce bien faite” à une “pièce bien défaite”.(Universidad de Murcia, Servicio de Publicaciones., 2021) Kaczmarek, TomaszAbstract: François de Curel has gone down to posterity as an author of the “well-made play”. However, while studying his work, in this case, La Danse devant le miroir (The Dance in Front of the Mirror), we realize that the writer does not respect all the rules of dramatic art. In fact, the writer seems, in the first place, to call into question the fable of the canonical form which is built on a logical mechanism of action leading through ever-increasing tension to the final denouement. The classical composition fades into the play behind the evocation of the protagonists’ emotional states in the grip of existential anxiety and, therefore, we note the passage from an agonistic drama to an ontological drama. The work of undermining the “absolute drama” is also manifested by a new approach to the character. Deprived of his active attributes, he prefers to call into question his life, rehash his setbacks rather than act. The character in action is giving way to the character in reflection.