An. filol. fr. 2019, v. 27
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- PublicationOpen AccessLe je lyrique chez Léopold Sédar Senghor(Universidad de Murcia, Servicio de Publicaciones., 2019) Bobo, Rostand SylvaniusAbstract: This study addresses lyricism from the point of view of the person who supports the poem. The lyrical I has double the actual subject or empirical subject. Studying the lyrical I neces sarily raises the more general problem of the relationship between the author and the narrator, the real subject and the one who says I. The lyrical subject will be seen here not as a faithful reflection of an empirical subject, much less as pure fiction, but rather as a stylized projection of the poet, Leopold Sédar Senghor in this case whose poem The Kaya Magan serves as a corpus. It is, from the figure of the lyrical subject that the analysis will emerge from the text, to discover the intimate self of the cantor of negritude and to reveal some essential features of Senghoian lyricism.
- PublicationOpen AccessRevisión del “espacio autobiográfico” en la narrativa de Boris Vian(Universidad de Murcia, Servicio de Publicaciones., 2019) Cortijo Talavera, AdelaAbstract: This article addresses the difficulty of establishing limits and categories between reality and fiction in the narrative work and the “writing of the self” by Boris Vian, in relation to the prin ciples of the Pataphysics College to which he belongs. For this, through the concept of “autobiographical space” of Lejeune, which outlines and modifies his theory previously exposed in the Pacte autobiographique, we will focus on the techniques of the language-universe that plays with the principle of identity through the seudonyms, the self-citation and the novelistic transpositions of friends and acquain tances who, masked, are participants in the vicissitudes of their fictional world in which the borders between the lived and the imagined are blurred without ceasing.
- PublicationOpen AccessLa mise à nu du moi malade chez Hervé Guibert(Universidad de Murcia, Servicio de Publicaciones., 2019) Porumb, AncaAbstract: In the middle of AIDS explosion during the 80’s, Hervé Guibert is one of the victims of this unexpected and unknown illness even for the medecine. He is not an ordinary sick person but he is the writer revealing himself completely and considering writing the only way for strug - gling against AIDS, against himself in order to reborn as a new spirit thanks to the power of words.
- PublicationOpen AccessMarcel Schwob, illusionniste de vies(Universidad de Murcia, Servicio de Publicaciones., 2019) Ríos Romero, FranciscoAbstract: This article has as subject the theoretical aspects about biography and autobiography, genres connected with the history and with factual contents, and their fusion with other literary genres as the roman, the tales or the essay and how this fusion has generated other modes like the biofiction and autofiction. This division between factual or imaginary contents and the impossibility to determine where it’s the reality or the fiction in the biographical stories has produced a debate among several writers and critics that benefits nowadays the interest in the biographical literature. Many writers of bio - graphical narrative think that Marcel Schwob, an author of XIX century, is one of more in - fluencer writers in this literature for combining fiction and reality in his biographical compositions. By taking as main subject the works of this author, this article shows that many actual characteristics of biographical narrative have been exposed for this author.
- PublicationOpen AccessGérard Genette de "Bardadrac" a "Postscript"(Universidad de Murcia, Servicio de Publicaciones., 2019) Pardo Jiménez, PedroAbstract: Known to that point for his poetics and aesthe - tics studies, Gérard Genette publishes in 2006 Bardadrac, a sort of informal dictionary where he picks up childhood and youth memories, anecdotes from his personal and professional life, travel experiences, reflections on contem - porary society, ideas about art and literature, opinions about the most varied subjects, in - ventories of special linguistic usages, etc. This book begins an autobiographical series which will be completed along the following decade with four further volumes– Codicille (2009), Apostille (2012), Épilogue (2014) y Postscript (2016)– where the writer reveals his less known side in a brilliant exercise of memory, intelligence and sensitivity.