Anales de filología francesa 2018, V. 26
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- PublicationOpen AccessFicción autográfica y autografía ficcional: La busca del jardín y Ce que la nuit raconte au jour de Héctor Bianciotti.(Universidad de Murcia, Servicio de Publicaciones., 2018) Ori, JuliaAbstract: This article compares two autobiographical works of the French-Argentinian writer, Héctor Bianciotti: La busca del jardín (1977), written in Spanish, and Ce que la nuit raconte au jour (1992), published in French. Narratological methods are used in order to analyze the relationship between the author, the narrator and the character and the spatio-temporal structure of the texts. The Spanish story is written in third person in the form of a dictionary and tends to metaphorization. The French work is told in first person with a more important temporal and spatial coherence. Their comparison demonstrates that the change of language between the writing of the two books could provoke different autofigurations and mean in a certain way for Bianciotti finding himself in the language of adoption.
- PublicationOpen AccessLe pouvoir dévastateur du regard chez Nelly Arcan: de l’œil photographique à l’œil médusant.(Universidad de Murcia, Servicio de Publicaciones., 2018) Picazo, María DoloresAbstract: This work by Nelly Arcan is among the most radical ultra-contemporary rewrites of the myth of Medusa. The narrative, which focuses entirely on the theme of the gaze, points to its ambiguity –both terrifying and attractive- as well as its multiformity, by simultaneously proposing a dual and inverse interpretation of the myth. However, the autofictional nature of À ciel ouvert also makes it a ruthless criticism of the burden borne by today’s women with regard to their physical attractiveness. So much so that, feeling more and more observed and photographed, some women end up hiding under a cloak of sophisticated and painful treatments, a sort of “Burqa of flesh”, in an attempt to build a customized and unalterable body. Our article will show this dual dimension of the novel embodied in the theme of the gaze, by analysing the scopic function that is developed in the story through the professional relationships of the three characters, whose professions demand a proactive involvement of the gaze.
- PublicationOpen AccessDu côté des marginaux: le personnage d’Ahmed dans La tour de la Défense (1978) de Copi.(Universidad de Murcia, Servicio de Publicaciones., 2018) Vásquez Sáenz, Henry F.Abstract: Copi, writer, playwright and draughtsman Argentino settles in Paris in 1962 until his death in 1987. The experience of exile and wandering marks the personal and creative trajectory of this intercultural artist. Indeed, a whole series of vulnerable and marginal characters swarm in their particular universe and subvesivo. In this space of the excluded, the figure of the immigrant Maghreb in France, embodied in the character of Ahmed, acquires all its significance. In this work we will try to analyse the symbolic value of Ahmed, heir to the colonial past marked by rejection, which appears in the Teatro de Copi, specifically in La Défense Tour (1978). Ahmed’s image traces an invisible and symbolic line that separates the two shores of the Mediterranean: the Maghrebi and the French. This dichotomy leaves behind a world of opposite and ambivalent feelings of desire and hatred, love and violence, happiness and misfortunes where the author always Posisionará on the side of the oppressed. Will Ahmed be the symbol of freedom and tolerance, the embodiment of the true solidarity values forgotten by the French society?
- PublicationOpen AccessEl exilio en Adieu, vive clarté... de Jorge Semprún: la superación de un trauma.(Universidad de Murcia, Servicio de Publicaciones., 2018) Rodríguez Varela, RitaAbstract: Exile is an experience with traumatic consecuences that has accompanied the human being during all the History. Traumatism is characterized by the multiplicity and diversity of manifestations, it produces an indelible split in life. In literary fields, it appears as the motive of writing where the author seeks to understand and to give sense to the experience through writing. This article wants to analyze the experience of the exile of the writer Jorge Semprún. And that’s the reason why we first of all talk about the triple loss of his mother, his infancy and his home country; secondly, the compulsory adulthood will be exposed, and the end, the way he chose to take, will be analyzed. It helped him to overcome the consecuences of the exile and characterizes what he had to fight for during his life.
- PublicationOpen AccessLa presencia de la materia epistolar en el Nouveau Roman y el Nouveau Théâtre.(Universidad de Murcia, Servicio de Publicaciones., 2018) Monterrubio, LourdesAbstract: The present article aims to analyse the presence of the epistolary material in the literary renovation materialised by the scriptural practices of the New Novel and The Theatre of the Absurd. The analysis of the different works –La Dernière Bande (1959) by Samuel Beckett, Le Fiston and Lettre morte (1959) by Robert Pinget, Histoire (1967) by Claude Simon, Correspondance and Réflexions (1968) by Louis Palomb, Aurélia Steiner (1979) by Marguerite Duras– will allow us to determine how their authors instrumentalise the epistolary material to show the impossibility of its realization. The epistolary device then becomes a tool of the rule-breaking practices of these new literary experiences, causing a metamorphosis of the letter that is essential in its evolution within the literary and theatrical space. The missive is generated as a radical expression of subjectivity and as a denial of its communicative characteristics and its possibilities of self-objectivation; it shows a identitary crisis which materialises in the human being’s inability to narrate and narrate oneself, to comunícate.