Browsing by Subject "Autoficción"
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- PublicationOpen AccessDans l’eau je suis chez moi: esquisse autofictionnelle de l’autre francophonie(Universidad de Murcia, Servicio de Publicaciones., 2019) Soto Cano, Ana BelénAbstract: The main objectif of this article is the critical study of Aliona Gloukhova’s (Minsk- 1984) firs novel. This autor is part of a large literary mosaic of intellectuals who, settled in France, have embraced French as their language of adoption and vehicle for literary expression. The scriptural adventure analyze in this paper is framed in that autre francophonie (Nowicki & Mayaux, 2012) linked to the events of 1989. The novel proposal presented here allows us to study the intrinsic personal consequences of totalitarian systems from an autofictional perspective.
- PublicationOpen AccessDésintégration d’Emmanuelle Richard : un exemple d’itinéraire transclasse dans l’extrême contemporain.(Universidad de Murcia, Servicio de Publicaciones, 2023) Soto, Ana BelénThe main objective of this article is to illustrate the importance that the transclass itinerary acquires in the extrême contemporain autofctional literature through the analysis of the fourth novel by Emmanuelle Richard. The study of the theoretical context of this neologism created by the French philosopher Chantal Jaquet will allow us to refect on population mobility from a neutral perspective that allows us to think, in turn, about the construction of more inclusive, more supportive and more sustainable societies. In this context, the use of autofctional writing becomes a narrative technique that reveals a change in the aesthetic-literary paradigm that allows to expose the most pressing problems that concern modern societies
- PublicationOpen AccessDésorientale de Négar Djavadi: exemple d'écriture autoficionnelle comme technique discursive récurrente dans les littératures francophones contemporaines.(Universidad de Murcia, Servicio de Publicaciones, 2019) Mangada Cañas, BeatrizThe main objective of this article is to illustrate the preponderance of autofctional writing in the current Francophone literary scene. We wil analyze Désorientale, the frst novel by the Iranian writer Négar Djavadi, who writes in French. The study of her production context will show the relevance of her inclusion in the current paradigm of writers of very different origins who have chosen French as a means of literary expression to give voice to their testimony as women and / or as exiles. The use of autofctional writing becomes a narrative technique common to all of them.
- PublicationOpen AccessÉcriture du moi et violation de la vie privée d’autrui ou la judiciarisation de l’autofiction: "Les petits" de Christine Angot et "Belle et bête" de Marcela Iacub(Universidad de Murcia, Servicio de Publicaciones., 2019) Ngamaleu, JovenselAbstract: This article focuses on the judiciarization of two autofictions: Christine Angot’s Les Petits and Marcela Iacub’s Belle et Bête. These scandalous novels have each been the subject of a lawsuit for violation of the private life of the identifiable characters ortrayed therein. The former cynically overexposes the life of Elise Bidoit, the ex-wife of Angot’s companion. The second is the shameless and provocative story of an ephemeral love between Iacub and the former director of the International Monetary Fund (IMF), Dominique Strauss-Khan. We have jointly mobilise certain aspects of the auctorial posture (Meizoz, 2011) and the critical reception (Jauss, 1990) to carry out ours nalyzes. Thus, it turns out that Angot and Iacub, as two executioners, operated, each in his own way, a cynical literary maneuver aimed primarily at harming their victims or literary preys.
- PublicationOpen AccessFigures du féminin pathologisé: la réception de Nelly Arcan entre stigmatisation et reconnaissance.(Universidad de Murcia, Servicio de Publicaciones., 2025) Pinto Buzón, Pilar; Sin departamento asociadoEste artículo examina la recepción crítica y mediática de los dos primeros textos autoficcionales de Nelly Arcan, Putain (2001) y Folle (2004), desde una perspectiva sociológica y feminista. Se analiza cómo la figura de Arcan fue mediáticamente construida en torno a categorías patologizantes, afectando su legitimidad literaria. El estudio aborda las tensiones entre consagración institucional y marginalización simbólica, así como la reciente revalorización crítica de su obra en el espacio francófono y en el sistema literario español. Así, el caso de Arcan evidencia las resistencias que enfrenta la escritura femenina frente a las normas de representación del cuerpo, la sexualidad y la subjetividad en el campo literario contemporáneo.
- PublicationOpen AccessIdentité queer: absence et négation de soi dans "Folle" de Nelly Arcan(Universidad de Murcia, Servicio de Publicaciones., 2019) Bouhadid, NadiaAbstract: Folle of the Canadian writer Nelly Arcan is the space of an attempt at selfreconstruction through an exposure of an identity antagonism generated by a complex relationship maintained with the Other. The exploration of the intimate life is then expressed as a process of recognition and self-denial; time, space and the body are then rationalized by a very stereotyped speech Our study aims to explain the relationship between this self-reconstruction within an identity antagonism and autofictional writing, notably thanks to the concept of queer identity. Our approach will be based on a descriptive and analytical method which is part of an inter disciplinary approach drawing mainly on philosophy, psychoanalysis and studies on the issue of identity and interculturality.
- PublicationOpen AccessJe autofictionnel/ jeux intertextuels: cosmopolitisme et/ ou narcissisme? Dans "Le pays" de Marie Darrieussecq(Universidad de Murcia, Servicio de Publicaciones., 2019) Keltoum, SoualahAbstract: This article discusses the autofictional “I” as the undisputed mediator of the author’s ego meanders. Indeed, it will be question of demonstrating that the “I” sign of narcissism, is not it in the autofictional novel and more particularly in Le Pays , novel written by Marie Darrieussecq and that it is, on the contrary, cosmopolitan because it does not refer only to the author of the novel but rather to all those who have overcome the same pains experienced by the novelist. For this, we will first demonstrate that The Country is an autofictional novel. Then, through intertextual practice, we will highlight the cosmopolitanism of the autofictional “I”. In doing so, our reading will be analytical and detailed and based on a multidisciplinary approach.
- PublicationOpen AccessL'oeuvre de Kim Thúy: une écriture née de la fêlure biographique(Universidad de Murcia, Servicio de Publicaciones., 2019) Sánchez Hernández, ÁngelesResumen: En este artículo analizamos la obra de Kim Thúy, escritora canadiense de origen vietnamita. Sus textos se asemejan al género autobiográfico porque las historias que cuenta siguen de cerca su trayectoria biográfica y están escritos en primera persona; sin embargo, ciertos elementos no coinciden con el recorrido íntimo de la autora ni con los rasgos de la formulación general del género; por lo tanto, no se trata de una autobiografía normativa. Revisamos las teorías actuales sobre autobiografía y autoficción como fundamentación para nuestro análisis. A través de sus libros, estudiamos el lado de las escrituras del yo que se desvía de la idea tradicional de la autobiografía exponiendo una evolución de este tipo de relato relacionada con los cambios sociales del siglo XXI.
- PublicationOpen AccessLe voyage comme palimpseste identitaire dans Grande Section, le premier roman d’Hadia Decharrière (The travel as an identity palimpsest in Grand Section, Hadia Decharrière’s !rst novel)(Universidad de Murcia, Servicio de Publicaciones, 2020) Soto, Ana BelénEn el contexto actual, el viaje y el movimiento desempeñan un papel esencial en la definición de fronteras geopolíticas a la vez que identitarias. En este sentido, cabe poner de relieve cómo el mosaico literario de las xenografías francófonas contemporáneas refleja la impronta de los procesos migratorios actuales que dibujan un nuevo paseo y paisaje en las letras románicas. En el presente artículo, nos proponemos analizar Grande Section, la primera novela de Hadia Decharrière, con el objetivo de ilustrar la preponderancia de la escritura autoficcional en el ámbito literario ya citado. Asimismo, esta novela nos permitirá abordar los matices particulares que la temática del viaje adquiere en su proyecto escriptural. Su temática, inicialmente ligada al desplazamiento geográfico, nos permitirá esbozar las consecuencias de este desarraigo identitario con significado ontológico.
- PublicationOpen AccessMarcel Schwob, illusionniste de vies(Universidad de Murcia, Servicio de Publicaciones., 2019) Ríos Romero, FranciscoAbstract: This article has as subject the theoretical aspects about biography and autobiography, genres connected with the history and with factual contents, and their fusion with other literary genres as the roman, the tales or the essay and how this fusion has generated other modes like the biofiction and autofiction. This division between factual or imaginary contents and the impossibility to determine where it’s the reality or the fiction in the biographical stories has produced a debate among several writers and critics that benefits nowadays the interest in the biographical literature. Many writers of bio - graphical narrative think that Marcel Schwob, an author of XIX century, is one of more in - fluencer writers in this literature for combining fiction and reality in his biographical compositions. By taking as main subject the works of this author, this article shows that many actual characteristics of biographical narrative have been exposed for this author.
- PublicationOpen AccessMétaphysique des tubes d’Amélie Nothomb: une vie racontée à travers l’intensité linguistique(Universidad de Murcia, Servicio de Publicaciones., 2019) Crespi, PatriziaAbstract: Reading a book of the belgian writer Amélie Nothomb is an act of passion and dedication: through her characteristic style, filled with rhetorical images that she perfectly masters, the reader plunges into a nice and immoderate atmosphere in which reality merges with exaggeration. This is mostly referred to her autobiographical novels: in Métaphysique des Tubes The Character of Rain ) she travels through times and memories to give us a recollection of her first three years of living. By applying in this book to the point of view of a child, the author let the reader feel the same sensations as the main character, thanks to the accuracy of a precise syntax, where the speech is filled with intensification methods, becoming an implicit network underlying the main history, being by definition the real outline of the description of reality. Intensity is, in Nothomb’s book, a stylistic and narrative necessity, revealing its creative force through many lexical forms that we aim to identify and categorise in this article.
- PublicationOpen AccessNovela y relato real en Javier Cercas(Universidad de Murcia, Servicio de Publicaciones, 2019) Ogno, LiaEl presente artículo pretende indagar la diferencia entre los conceptos de «relato real» y de «nove- la» en la narrativa de Javier Cercas. Tal distinción se convierte en sumamente relevante a la hora de abordar el esclarecimiento de la novela no-ficcio - nal.
- PublicationOpen AccessEl síndrome de Alonso Quijano: ficción y reescritura(Murcia: Universidad de Murcia, Editum, 2018-02-05) Pérez Dalmeda, María EstherEl síndrome de Alonso Quijano es un motivo recurrente en la obra de Juan Bonilla y un brillante ejemplo de las estrategias compositivas características de su narrativa que ponen de manifiesto la polifonía y polisemia de sus textos. En este artículo partimos de la hipótesis de que mediante recursos tales como la intertextualidad, la hibridación genérica o la autoficción, Bonilla niega una única realidad objetiva y aboga por una realidad fragmentada –compuesta por breves realidades– y siempre condicionada por la subjetividad del sujeto que la percibe. A continuación analizamos tres ejemplos de enfermos del síndrome de Alonso Quijano, tres diálogos con tres textos de tres autores fundamentales en la poética de Bonilla: Nabokov, Borges y Perec; y tres herramientas imprescindibles en la construcción de sus relatos: intertextualidad, autoficción e hibridación genérica, para concluir que el autor emplea tales recursos compositivos para testimoniar su concepción de lo real y lo ficticio y cómo el síndrome de Alonso Quijano le aporta libertad al autor para establecer diálogos con textos de otros autores, ampliar redes intertextuales internas, desdibujar límites y confundir al lector, quien como los protagonistas de los relatos, encuentra dificultades para distinguir entre lo real y lo ficcional y acepta que la literatura es realidad.
- PublicationOpen AccessUne fille amoureuse de Pauline Réage: ¿une autofiction avant la lettre?(Universidad de Murcia, Servicio de Publicaciones., 2019) Tremblais, MathildeAbstract: This article examines Pauline Réage’s Une Fille amoureuse , a text that can be categorized as belonging to the vast field of writings on the self. Among the various types of current intimate literature, Une Fille amoureuse is closer to autofiction, a kind of text that has progres - sively taken over the literary landscape of the 21 st century. It was published in 1969, which makes it not only prior to the first conceptualization tentatives that resulted from autofiction, but also prior to the appearance of the very no - tion of autofiction. This study enquires into the distinctive traits of autofiction present in Une Fille amoureuse , in which Pauline Réage explores the boundaries between novel and autobiography, allowing a feminine voice to unfold as it is revealed by the writing itself.
- PublicationOpen AccessVoces, imposturas y laberintos en Hombres buenos, de Arturo Pérez-Reverte: el desafío de la metanarración(2017-07-20) Calzón García, José AntonioThe article studies how content and form are combined in Arturo Pérez-Reverte's novel, Hombres buenos. In order to do so, the text explains the importance of the author's journalism training to create this metaliterary work in which the conventional storytelling is strongly weaved together with the process of novel making, on the basis of ontological jumps and metalepsis where autofiction and dialogism are used to intertwine real with ctional voices, which produces a story that is, at the same time, a defence of Enlightenment thought and a skeptical re ection on the idea of reality.