Arte y políticas de identidad Vol.32 (2025)

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https://hdl.handle.net/10201/150157
Arte urbano como arte de contexto: Espacios, relaciones y formas de conservación

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Browsing Arte y políticas de identidad Vol.32 (2025) by Author "Gallego Martínez, María Dolores"

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    Nuevos procesos y materiales pictóricos en el arte contextual. El proyecto rompiendo patrones como caso de estudio
    (Servicio de Publicaciones de la Universidad de Murcia, 2025) Gallego Martínez, María Dolores
    The purpose of this article is to review in depth and in detail the main characteristics (conceptual, technical, aesthetic and artistic) of the site-specific pictorial project: Rompiendo Patrones[Breaking Patterns], as well as to make visible and highlight the entire co-creation process carried out by more than thirty-five people during the months of August and December 2023. In the various sections and subsections of the text, it explains how it was initially idealised in Romania and what kind of textile heritage that it is inspired. It also presents the various phases of the design process that took place in Granada (Spain) and discusses in detail the working methodology used to create the pieces, the assembly and opening in Doña Mencía (Córdoba, Spain) and the dismantling for conservation and possible exhibition in other places. Therefore, Rompiendo Patrones [Breaking Patterns] is an example of a contemporary painting made with textile techniques and materials, through digital and handcrafted processes, designed to be exhibited in a specific public context as textile graffiti and with the aim of publicly paying homage to women of previous generations. Rompiendo Patrones [Breaking Patterns] is one of the artistic projects created specifically for the 25th edition of DMencia 2023, the Contemporary Art Exhibition of Doña Mencía, curated by Moisés Bedmar and with the theme: ‘What happens in the street. Public art and citizen coexistence’.