La mirada comprometida : estética, política y trascendencia en la obra de Antoni Miró
Loading...
Date
2026
Authors
Mateos Gras, José Francisco
Journal Title
Journal ISSN
Volume Title
Publisher
Universidad de Murcia, Servicio de Publicaciones
Abstract
El objetivo de este artículo es mostrar cómo la antropología puede contribuir a la comprensión de la realidad social y cómo la antropología misma puede enriquecerse con la mirada antropológica. El siguiente artículo recorre la trayectoria pictórica de Antoni Miró (Alcoi, 1944) desde un enfoque que aúna forma, ética y contexto histórico-social. Analizando sus principales series pictóricas y escultóricas, se hace evidente la conexión entre su activismo político y su lenguaje visual. La investigación recorre desde sus inicios expresionistas hasta sus grandes intervenciones en el espacio público, en la línea del realismo social europeo y el pop mediterráneo. Se determina que la obra de Miró supera las fronteras regionalistas para convertirse en un exponente del arte comprometido actual, en el que la belleza plástica es un medio de concienciación social.
The objective of this article is to demonstrate how anthropology can contribute to the understanding of social reality and how the discipline itself may be enriched by the anthropological perspective. This paper examines the pictorial trajectory of Antoni Miró (Alcoi, 1944) through an approach that synthesizes form, ethics, and socio historical context. Through an analysis of his principal pictorial and sculptural series, the connection between his political activism and his visual language becomes evident. The research spans from his Expressionist beginnings to his major interventions in public space, situated within the traditions of European Social Realism and Mediterranean Pop Art. It is concluded that Miró’s work transcends regionalist boundaries to become a leading exponent of contemporary committed art, wherein aesthetic beauty serves as a medium for social consciousness.
The objective of this article is to demonstrate how anthropology can contribute to the understanding of social reality and how the discipline itself may be enriched by the anthropological perspective. This paper examines the pictorial trajectory of Antoni Miró (Alcoi, 1944) through an approach that synthesizes form, ethics, and socio historical context. Through an analysis of his principal pictorial and sculptural series, the connection between his political activism and his visual language becomes evident. The research spans from his Expressionist beginnings to his major interventions in public space, situated within the traditions of European Social Realism and Mediterranean Pop Art. It is concluded that Miró’s work transcends regionalist boundaries to become a leading exponent of contemporary committed art, wherein aesthetic beauty serves as a medium for social consciousness.
Description
Keywords
Realismo Social , Arte Comprometido , Cultura Valenciana , Pop-Art Mediterráneo , Social Realism , Committed Art , Valencian Culture , Mediterranean Pop Art
Citation
Mateos Gras, José Francisco. 2026. La mirada comprometida: estética, política y trascendencia en la obra de Antoni Miró. Alejandría 5, 95-106.
www.um.es/cepoat/alejandria/archivos/10621
item.page.embargo
Ir a Estadísticas
Este ítem está sujeto a una licencia Creative Commons. http://creativecommons.org/licenses/by-nc-nd/4.0/