Publication: Breves formas poéticas a lo largo
del siglo veinte francés
Authors
Casado, Loreto
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Publisher
Universidad de Murcia, Servicio de Publicaciones.
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Description
Abstract
Resumé: La briéveté, expression artistique de la modernité, traduit le rapport spatio-temporel du sujet du vingtième siècle. De Poe et Baudelaire aux poètes contemporains en passant par Valéry et le surréalisme, la forme brève cesse de s’associer à un discours de la vérite tel que l’aphorisme, et devient énonciation du sujet en quête de nouvelles formes de pensée et de
langage. Dans leur densité, rapidité, saisissement de l’instant, ces illuminations”, sous le signe de Rimbaud, constituent une poétique
qui, s’inspirant également du haïku et des idéogrammes, intègrent une perception sensorielle (visuelle et auditive) et une pensée organique
à l’écoute du monde extérieur et intérieur, avec un minimum de moyens. Écriture de l’essentiel dans le sens le plus physique du terme, cette
poésie de la modernité questionne l’esprit de l’institution littéraire fermée en elle même et au service de l’abstraction théorique du langage.
Abstract: Brevity as artistic expression of modernity personifies the subject of the twentieth century in his/her relation with the time and space. The short form, from Poe and Baudelaire, through Valéry and Surrealism up to contemporary poets themselves, moves away from the aphorism linked to the discourse of a truth and becomes a statement of the subject who questions newforms of thinking and saying. With Rimbaud the features that characterize these «illuminations» are: density, rapidity and the grasp of the moment; that is, a poetic inspired by the haiku and the ideogram which includes a visual and auditory perception as well as an organic thinking which listens to the outer and inner worlds with a minimum of means. This poetry of modernity as writing of the essential, in the most physical sense of the term «writing», challenges the self-absorption of the literary institution at the service of the theoretical abstraction of language.
Abstract: Brevity as artistic expression of modernity personifies the subject of the twentieth century in his/her relation with the time and space. The short form, from Poe and Baudelaire, through Valéry and Surrealism up to contemporary poets themselves, moves away from the aphorism linked to the discourse of a truth and becomes a statement of the subject who questions newforms of thinking and saying. With Rimbaud the features that characterize these «illuminations» are: density, rapidity and the grasp of the moment; that is, a poetic inspired by the haiku and the ideogram which includes a visual and auditory perception as well as an organic thinking which listens to the outer and inner worlds with a minimum of means. This poetry of modernity as writing of the essential, in the most physical sense of the term «writing», challenges the self-absorption of the literary institution at the service of the theoretical abstraction of language.
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