Publication: El signo ideológico en la producción de sentido sonoro-musical-electrónico del techno
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Date
2021
Authors
González Mejía, Alejandro Rodrigo
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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Description
Abstract
Entre las reflexiones profundas con respecto al lenguaje, el presente artículo que se expone y que
respalda la investigación doctoral que actualmente se construye, se concierne con el sistema
sonoro-musical-electrónico, cuyo constituyente ideológico es fundamental para las culturas
sonoro-musicales, y en relación con este estudio, se concierne con lo que hemos denominado como
escucha1
electrónica, especialmente enfocado en el género musical conocido como “techno”2.
La escucha electrónica refiere concretamente a las prácticas de producción, circulación y
recepción del dato sonoro-musical-electrónico y el impacto que promueve en el sujeto que practica este tipo de escucha, trayendo consigo ciertas dimensiones cognitivo-emotivas y socioculturalideológico-político-económico-artísticas, (entre otras redes de sentido).
Among the deep reflections regarding language, the present article that is exposed and that supports the doctoral research currently being constructed, concerns the sound-musical-electronic system, whose ideological constituent is fundamental for sound-musical cultures, and In relation to this study, it concerns what we have called electronic listening1 , especially focused on the musical genre known as “techno”2 . Electronic listening refers specifically to the practices of production, circulation and reception of sound-musical-electronic data and the impact that it promotes on the subject who practices this type of listening, bringing with it certain cognitive-emotional and sociocultural-ideologicalpolitical dimensions. economic-artistic, (among other networks of meaning).
Among the deep reflections regarding language, the present article that is exposed and that supports the doctoral research currently being constructed, concerns the sound-musical-electronic system, whose ideological constituent is fundamental for sound-musical cultures, and In relation to this study, it concerns what we have called electronic listening1 , especially focused on the musical genre known as “techno”2 . Electronic listening refers specifically to the practices of production, circulation and reception of sound-musical-electronic data and the impact that it promotes on the subject who practices this type of listening, bringing with it certain cognitive-emotional and sociocultural-ideologicalpolitical dimensions. economic-artistic, (among other networks of meaning).
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