Publication: La recepción del legado de Pausanias en el paisaje argelino de Albert Camus: de Chateaubriand a James G. Frazer
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López Calahorro, Inmaculada
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Los textos de Albert Camus que integran Nocesy algunos de L’étédescriben el paisaje argelino. Nuestro trabajo propone demostrar que para estasdescripciones tuvo como referentes la Periegesis de Pausanias y otras lecturas indirectas de dos viajeros que siguieron sus pasos, en concreto Chateaubriand y Frazer, este último traductor de la gran obra del griego y autor de uno de los libros con más interés para las descripciones de los cultos religiosos en ese momento, The Golden Bough, y que pudo influir en la recepción de algunos elementos de origen clásico en su obra, como son las referencias a los misterios eleusinos.
Albert Camus’s Noces and some texts in L’été describe the Algerian landscape. The purpose of this work is to show that, for these descriptions, Camus used Pausanias’s Periegesis and some other books by Chateaubriand and Frazer. Frazer translated Pausanias’s book and wrote one of the most interesting books on religious cults at the moment, The Golden Bough,which might have had a great influence on the reception of some classical elements in Camus’s work such as, for example, his references to the Eleusynian Mysteries.
Albert Camus’s Noces and some texts in L’été describe the Algerian landscape. The purpose of this work is to show that, for these descriptions, Camus used Pausanias’s Periegesis and some other books by Chateaubriand and Frazer. Frazer translated Pausanias’s book and wrote one of the most interesting books on religious cults at the moment, The Golden Bough,which might have had a great influence on the reception of some classical elements in Camus’s work such as, for example, his references to the Eleusynian Mysteries.
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