Publication: El concepto de belleza femenina en la obra de Agnolo Firenzuola.
Authors
García Pérez, María Isabel ; Velázquez García, Sara
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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Description
Abstract
El escritor florentino Agnolo
Firenzuola publicó en el siglo XVI Dialo‐
go delle bellezze delle donne. Esta obra
se presenta como un excelente modelo
que nos permite analizar la populariza‐
ción de los debates intelectuales de la
época alojados en el diálogo literario,
un género clásico muy en boga entre los
neoplatónicos como vehículo de inter‐
cambio sociocultural que se reavivó
durante el período renacentista. El ar‐
tículo pretende analizar, por un lado, las
características que, según el autor, han
de tener las mujeres para ser conside‐
radas bellas (en el más amplio sentido
del término) y, por otro, los argumentos
que esgrime a favor de la igualdad de
género dando lugar a un discurso muy
innovador para su época.
The Florentine writer Agnolo Firenzuola published Dialogo delle bellezze delle donne in the 16th century. This work is presented as an excellent model that allows us to analyze the popularization of the intellectual de‐ bates of the time lodged in literary dia‐ logue, a classic genre in vogue among neoplatonists as a vehicle for sociocul‐ tural exchange revived during the Re‐ naissance period. On the one hand, the article aims to analyze the characteris‐ tics that, according to the author, wom‐ en must have in order to be considered beautiful (in the broadest sense of the term) and, on the other hand, the ar‐ guments that he uses in favor of gender equality giving rise to a very innovative discourse for its time.
The Florentine writer Agnolo Firenzuola published Dialogo delle bellezze delle donne in the 16th century. This work is presented as an excellent model that allows us to analyze the popularization of the intellectual de‐ bates of the time lodged in literary dia‐ logue, a classic genre in vogue among neoplatonists as a vehicle for sociocul‐ tural exchange revived during the Re‐ naissance period. On the one hand, the article aims to analyze the characteris‐ tics that, according to the author, wom‐ en must have in order to be considered beautiful (in the broadest sense of the term) and, on the other hand, the ar‐ guments that he uses in favor of gender equality giving rise to a very innovative discourse for its time.
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