Publication: Reverberaciones en celuloide. Una aproximación al sonido en el cine experimental español (1955-1979)
Authors
Alcoz, Albert
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Publisher
Murcia: Servicio de Publicaciones de la Universidad de Murcia
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Description
Abstract
Este texto investiga la importancia de las aportaciones sonoras
realizadas por cineastas y compositores musicales en una conjunto
de películas experimentales creadas en el territorio español desde
mediados de los años cincuenta hasta 1979. Son filmes realizados
en celuloide que proponen una serie de aportaciones artísticas
de carácter innovador, tanto en su aspecto visual como en su
dimensión sonora. Alejadas de las consideraciones narrativas del
cine de ficción y de la representación de la realidad inherente al
cine documental, estas obras son manifestaciones de artistas que
ven en el celuloide el mejor soporte para hallar expresiones que
fluctúan entre la poética subjetiva, la mirada lírica, la abstracción
matemática y el acercamiento conceptual. Para hacerlo los
realizadores utilizan el sonido desde perspectivas inauditas en
el ámbito fílmico, favoreciendo la búsqueda de significaciones
fenomenológicas
ABSTRACT: This paper investigates the importance of the contributions made by filmmakers and sound composers on a set of experimental films created in the Spain from the mid-fifties to 1979. These are films made in celluloid and propose a series of innovative artistic contributions, both in their visual and sound dimensions. Away from the narrative constraints of the fiction film and from the representation of reality that is the object of documentary films, these works are manifestations of artists who see the cellulloid as the best medium to find expressions that fluctuate between the poetic-subjective-lyrical gaze, mathematical abstraction, and conceptual approach. To do this the filmmakers use the sound from unprecedented perspectives in the field of cinema, favoring the search for phenomenological meanings.
ABSTRACT: This paper investigates the importance of the contributions made by filmmakers and sound composers on a set of experimental films created in the Spain from the mid-fifties to 1979. These are films made in celluloid and propose a series of innovative artistic contributions, both in their visual and sound dimensions. Away from the narrative constraints of the fiction film and from the representation of reality that is the object of documentary films, these works are manifestations of artists who see the cellulloid as the best medium to find expressions that fluctuate between the poetic-subjective-lyrical gaze, mathematical abstraction, and conceptual approach. To do this the filmmakers use the sound from unprecedented perspectives in the field of cinema, favoring the search for phenomenological meanings.
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