Please use this identifier to cite or link to this item: http://hdl.handle.net/10201/73842

Title: “Being then nothing”: physicality, abjection and creation in Janice Galloway’s short fiction
Issue Date: 2019
Publisher: Servicio de Publicaciones, Universidad de Murcia
ISSN: 1989-6131
Related subjects: CDU::8- Lingüística y literatura
Keywords: Janice Galloway
Short fiction
The body
Abjection
Being
Death
Kristeva
Blanchot
Abstract: This article explores the prominence of the body in Janice Galloway’s short fiction. Drawing mainly on Kristeva’s notions of the semiotic and the abject, the argument initially establishes the central place of physicality in Galloway’s poetics. Her creative project is inspired by a desire to transmit in writing the experience of being alive, of how being is intrinsically fragile, inexorably bound to extinction. In a particularly sharp manner that engages the reader more actively than her novels, her short stories exhibit both formally and thematically an interaction of the symbolic and the semiotic. As being attentive to life entails an awareness of death if one is to write realistically, the ensuing discussion of stories from her three collections –Blood (1991), Where you find it (1996) and Jellyfish (2015)– reveals that abjection, the extreme version of the semiotic that threatens to cancel out the symbolic, is paramount in her creative universe.
Primary author: Sacido Romero, Jorge
Collection: Vol.19 (1), 2019
URI: http://hdl.handle.net/10201/73842
Document type: info:eu-repo/semantics/article
Number of pages / Extensions: 18
Rights: info:eu-repo/semantics/openAccess
Attribution-NonCommercial-NoDerivatives 4.0 International
Appears in Collections:Vol.19 (1), 2019

Files in This Item:
File Description SizeFormat 
348531-Article Text-1293211-1-10-20190630.pdf467,29 kBAdobe PDFView/Open


This item is licensed under a Creative Commons License Creative Commons