Please use this identifier to cite or link to this item:

Title: Decolonizing Othello in search of black feminist North American identities: Djanet Sears' Harlem duet and Toni Morrison's Desdemona
Issue Date: 28-Jun-2017
Keywords: Black identity
North America
African American
African Canadian
Feminist self
Abstract: The plays Harlem duet (1997) by African Canadian playwright Djanet Sears and Desdemona (2012) by Toni Morrison signify upon European texts aiming to carve out a new definition of what it means to be black in North America. Therefore both texts make for interesting reading in the study of (black) identity construction within US and Canadian contexts for, by revising Shakespeare's Othello, they rethink and rewrite a social and racial reality unrelentingly disrupted by difference and hybridity. Sears' play establishes a specific reading of Canadianness in dialogue with African America to erect a possibility of healing and inclusion, offering a feminist vision of the black self. Similarly, Morrison inscribes the voice of Africa within the US to conclude Sears' account of a feminist and transnational subjectivity for blacks in North America. By reversing the manly ethos that characterized Shakespeare's story and bringing the role of women to the front, both plays succeed in readjusting the Shakespearean story to render a feminist, transnational, cosmopolitan and democratic definition of the black female self.
Primary author: Cucarella-Ramon, Vicent
Document type: info:eu-repo/semantics/article
Number of pages / Extensions: 83-97
Rights: info:eu-repo/semantics/openAccess
Appears in Collections:Vol.17 (1), 2017

Items in Digitum are protected by copyright, with all rights reserved, unless otherwise indicated.