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dc.contributor.authorMedina Calzada, Sara-
dc.date.accessioned2023-01-18T12:43:08Z-
dc.date.available2023-01-18T12:43:08Z-
dc.date.issued2022-
dc.identifier.citationInternational Journal of English Studies, Vol.22 (2), 2022es
dc.identifier.issn1989-6131-
dc.identifier.issn1578-7044-
dc.identifier.urihttp://hdl.handle.net/10201/127489-
dc.description.abstractBritish volunteers fought on both sides of the First Carlist War (1833–1840), the dynastic struggle between the liberal factions that championed Isabella II and the reactionary forces that supported Don Carlos’s claim to the Spanish throne. Despite British intervention, the conflict did not arouse as much interest in Britain as the Peninsular War (1808–1814), but it served as the setting for several English literary works that reconstructed it from different perspectives. These fictional texts include George Ryder’s Los Arcos (1845), Frederick Hardman’s The Student of Salamanca (1845–1846), and Edward Augustus Milman’s The Wayside Cross; or, the Raid of Gomez (1847). This paper analyses these texts focusing on their representations of Spain and the First Carlist War and shows that they mostly ignore British intervention in the conflict and perpetuate the romantic image of Spain that had emerged in Britain during the Peninsular War.es
dc.formatapplication/pdfes
dc.format.extent15es
dc.languageenges
dc.publisherUniversidad de Murcia, Servicio de Publicacioneses
dc.relationSin financiación externa a la Universidades
dc.rightsinfo:eu-repo/semantics/openAccesses
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectCarlismes
dc.subjectFirst Carlist Wares
dc.subjectAnglo Spanish relationses
dc.subjectRepresentations of Spaines
dc.subjectImagologyes
dc.subject.otherCDU::8- Lingüística y literaturaes
dc.titleRomantic strife: the First Carlist War (1833–1840) in British fiction.es
dc.typeinfo:eu-repo/semantics/articlees
dc.identifier.doihttps://doi.org/10.6018/ijes.515151-
Aparece en las colecciones:2022, V. 22, N. 2

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