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dc.contributor.authorYebra, José M.-
dc.date.accessioned2023-01-18T12:59:26Z-
dc.date.available2023-01-18T12:59:26Z-
dc.date.issued2022-
dc.identifier.citationInternational Journal of English Studies, Vol.22 (2), 2022es
dc.identifier.issn1989-6131-
dc.identifier.issn1578-7044-
dc.identifier.urihttp://hdl.handle.net/10201/127467-
dc.description.abstractBoth Alan Hollinghurst and Paul Mendez address the vulnerability of dissident, non-normative masculinities. With this purpose, I will first revise the narratives of martyrdom as an iconography (and trope) which relies on but exceeds its religious origins to understand gay and black identity representation in these writers. There are, however, some differences in their treatment of martyrdom. Hollinghurst’s career spans more than three decades and, hence, his novels feature different faces of martyrdom although all the characters/narrators do it from a white perspective. By contrast, Mendez’s Rainbow Milk revisits martyrdom as a contested narrative from the decolonized and black/queer viewpoint of the protagonist.es
dc.formatapplication/pdfes
dc.format.extent19es
dc.languageenges
dc.publisherUniversidad de Murcia, Servicio de Publicacioneses
dc.relationSin financiación externa a la Universidades
dc.rightsinfo:eu-repo/semantics/openAccesses
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectMendezes
dc.subjectHollinghurstes
dc.subjectMartyrdomes
dc.subjectBlacknesses
dc.subjectQueernesses
dc.subject.otherCDU::8- Lingüística y literaturaes
dc.titleQueer and Black Martyrdom in Alan Hollinghurst and Paul Mendez.es
dc.typeinfo:eu-repo/semantics/articlees
dc.identifier.doihttps://doi.org/10.6018/ijes.477321-
Aparece en las colecciones:2022, V. 22, N. 2

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