Browsing by Subject "Autofiction"

Now showing 1 - 4 of 4
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    Désintégration d’Emmanuelle Richard : un exemple d’itinéraire transclasse dans l’extrême contemporain.
    (Universidad de Murcia, Servicio de Publicaciones, 2023) Soto, Ana Belén
    The main objective of this article is to illustrate the importance that the transclass itinerary acquires in the extrême contemporain autofctional literature through the analysis of the fourth novel by Emmanuelle Richard. The study of the theoretical context of this neologism created by the French philosopher Chantal Jaquet will allow us to refect on population mobility from a neutral perspective that allows us to think, in turn, about the construction of more inclusive, more supportive and more sustainable societies. In this context, the use of autofctional writing becomes a narrative technique that reveals a change in the aesthetic-literary paradigm that allows to expose the most pressing problems that concern modern societies
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    Écriture du moi et violation de la vie privée d’autrui ou la judiciarisation de l’autofiction: "Les petits" de Christine Angot et "Belle et bête" de Marcela Iacub
    (Universidad de Murcia, Servicio de Publicaciones., 2019) Ngamaleu, Jovensel
    Abstract: This article focuses on the judiciarization of two autofictions: Christine Angot’s Les Petits and Marcela Iacub’s Belle et Bête. These scandalous novels have each been the subject of a lawsuit for violation of the private life of the identifiable characters ortrayed therein. The former cynically overexposes the life of Elise Bidoit, the ex-wife of Angot’s companion. The second is the shameless and provocative story of an ephemeral love between Iacub and the former director of the International Monetary Fund (IMF), Dominique Strauss-Khan. We have jointly mobilise certain aspects of the auctorial posture (Meizoz, 2011) and the critical reception (Jauss, 1990) to carry out ours nalyzes. Thus, it turns out that Angot and Iacub, as two executioners, operated, each in his own way, a cynical literary maneuver aimed primarily at harming their victims or literary preys.
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    Je autofictionnel/ jeux intertextuels: cosmopolitisme et/ ou narcissisme? Dans "Le pays" de Marie Darrieussecq
    (Universidad de Murcia, Servicio de Publicaciones., 2019) Keltoum, Soualah
    Abstract: This article discusses the autofictional “I” as the undisputed mediator of the author’s ego meanders. Indeed, it will be question of demonstrating that the “I” sign of narcissism, is not it in the autofictional novel and more particularly in Le Pays , novel written by Marie Darrieussecq and that it is, on the contrary, cosmopolitan because it does not refer only to the author of the novel but rather to all those who have overcome the same pains experienced by the novelist. For this, we will first demonstrate that The Country is an autofictional novel. Then, through intertextual practice, we will highlight the cosmopolitanism of the autofictional “I”. In doing so, our reading will be analytical and detailed and based on a multidisciplinary approach.
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    Marcel Schwob, illusionniste de vies
    (Universidad de Murcia, Servicio de Publicaciones., 2019) Ríos Romero, Francisco
    Abstract: This article has as subject the theoretical aspects about biography and autobiography, genres connected with the history and with factual contents, and their fusion with other literary genres as the roman, the tales or the essay and how this fusion has generated other modes like the biofiction and autofiction. This division between factual or imaginary contents and the impossibility to determine where it’s the reality or the fiction in the biographical stories has produced a debate among several writers and critics that benefits nowadays the interest in the biographical literature. Many writers of bio - graphical narrative think that Marcel Schwob, an author of XIX century, is one of more in - fluencer writers in this literature for combining fiction and reality in his biographical compositions. By taking as main subject the works of this author, this article shows that many actual characteristics of biographical narrative have been exposed for this author.