Please use this identifier to cite or link to this item: http://hdl.handle.net/10201/5606

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dc.contributor.authorAlcalá, Francisco-
dc.contributor.authorGonzález Maestre, Miguel-
dc.contributor.otherDepartamentos y Servicios::Departamentos de la UMU::Fundamentos del Análisis Económicoen
dc.date.accessioned2009-09-28T11:13:58Z-
dc.date.available2009-09-28T11:13:58Z-
dc.date.created2009-09-
dc.date.issued2009-09-28T11:13:58Z-
dc.identifier.urihttp://hdl.handle.net/10201/5606-
dc.description.abstractWe provide a new perspective on the impact of unauthorized copying and copy levies on artistic creation. Our analysis emphasizes three important aspects of artistic markets: the predominance of superstars, the dynamics of talent sorting, and the importance of promotion expenditures. In the short run, piracy reduces superstars’ earnings and market share, and increases the number of rich and young artists. From a dynamic perspective, piracy may help more young artists start their careers, thereby increasing the number of highly talented artists in the long run. The long run impact on artistic creation of levies on copy equipment may crucially depend on whether their yields primarily accrue to superstars or are allocated to help young artists.en
dc.formatapplication/pdfes
dc.format.extent34en
dc.languageengen
dc.relation.ispartofProyecto de investigación:en
dc.relation.ispartofseriesWP-UMUFAEen
dc.relation.ispartofseries2009.09en
dc.rightsinfo:eu-repo/semantics/openAccesses
dc.subjectArtistic creationen
dc.subjectSuperstarsen
dc.subjectPrivate copyen
dc.subjectPiracyen
dc.subjectLeviesen
dc.subject.otherCDU::3 - Ciencias sociales::33 - Economíaen
dc.titleCopying, superstars and artistic creationen
dc.typeinfo:eu-repo/semantics/articleen
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