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dc.contributor.authorPagán Cánovas, Cristóbal-
dc.contributor.otherFacultades, Departamentos, Servicios y Escuelas::Departamentos de la UMU::Filología Inglesa-
dc.date.accessioned2024-02-11T12:36:16Z-
dc.date.available2024-02-11T12:36:16Z-
dc.date.issued2011-
dc.identifier.citationAmerican Journal of Philology 132 (2011) 553–579-
dc.identifier.issnPrint: 0002-9475-
dc.identifier.issnElectronic: 1086-3168-
dc.identifier.urihttp://hdl.handle.net/10201/139177-
dc.description©2011. This document is the Accepted, version of a Published Work that appeared in final form in American Journal of Philology (AJP). To access the final edited and published work see https://doi.org/10.1353/ajp.2011.0044-
dc.description.abstractWhen and how were the arrows of love created? Individual invention has been argued for by classicists; a connection to everyday metaphors has been suggested in cognitive linguistics. I propose new cognitive-theoretical tools: the Abstract Cause Personification blend and an EMISSION image-schema. I explain the emergence of Love the Archer in Antiquity through conceptual integration from earlier materials: Apollo the Archer personifying death, erotic emissions in lyric imagery, the link between passion and extreme illness, and possibly the arrows of glance. The embodied, human-scale story of causation that structures the arrows of love has been crucial for their success.-
dc.formatapplication/pdfes
dc.format.extent28-
dc.languageenges
dc.publisherJohns Hopkins University Press-
dc.relationThe European Commission’s Marie Curie International Outgoing Fellowship (NARLYR: 235129)es
dc.rightsinfo:eu-repo/semantics/embargoedAccesses
dc.titleThe genesis of the arrows of love: Diachronic conceptual integration in Greek mythology.es
dc.typeinfo:eu-repo/semantics/articlees
dc.embargo.termsSi-
dc.identifier.doihttps://doi.org/10.1353/ajp.2011.0044-
Aparece en las colecciones:Artículos: Filología Inglesa

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