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Campo DC | Valor | Lengua/Idioma |
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dc.contributor.author | Suárez, Juan A. | - |
dc.contributor.other | Facultades, Departamentos, Servicios y Escuelas::Departamentos de la UMU::Filología Inglesa | es |
dc.coverage.temporal | siglo XX | es |
dc.date.accessioned | 2024-02-09T11:52:40Z | - |
dc.date.available | 2024-02-09T11:52:40Z | - |
dc.date.issued | 2021-11-10 | - |
dc.identifier.uri | http://hdl.handle.net/10201/139114 | - |
dc.description.abstract | This chapter surveys the emergence and development of a queer experimental cinema in the United States between the early 1940s and the early 1960s. It locates queer experimental film within post–World War II culture, explores the conceptions of sexuality that subtend it, and discusses its main thematic concerns, stylistic gestures, and subgenres. Against earlier readings that stress the subjective, introspective character of this body of work, the chapter argues that these films are also forms of subcultural material practice: they sexualize public and private space, upend traditional myths, articulate heterodox conceptions of the body, and make peculiar uses of everyday objects and substances. In the process, they cast sexuality and desire as a series of unclassifiable impulses and affects that attach to varied gender and corporeal configurations indiscriminately. The chapter considers well-known filmmakers such as Kenneth Anger, Gregory Markopoulos, Harry Smith, and Marie Menken, along with lesser-known figures such as Willard Maas, Theodor Huff, Sara Katryn Arledge, and Jim Davis. | es |
dc.format | application/pdf | es |
dc.format.extent | 26 | es |
dc.language | eng | es |
dc.publisher | Oxford University Press | es |
dc.relation | Proyecto del Plan Nacional IP PGC2018-095393-B-I00 Queer Temporalities in Contemporary Anglophone Cultures. Agencia Estatal de Investigación. Ministerio de Ciencia, Innovación y Universidades. | es |
dc.relation.requires | https://doi.org/10.1093/oxfordhb/9780190877996.013.13 | es |
dc.rights | info:eu-repo/semantics/openAccess | es |
dc.subject | Experimental cinema | es |
dc.subject | Postwar culture | es |
dc.subject | Queer space | es |
dc.subject | Domesticity | es |
dc.subject | Myth | es |
dc.subject | Trance film | es |
dc.subject | Subcultural practice | es |
dc.title | Trances, Myth, Bachelor Machines, and Abstractions: Post-war Queer Experimental Film | es |
dc.type | info:eu-repo/semantics/bookPart | es |
dc.relation.publisherversion | https://academic.oup.com/edited-volume/37172/chapter-abstract/323744963?redirectedFrom=fulltext | es |
dc.identifier.doi | https://doi.org/10.1093/oxfordhb/9780190877996.013.13 | - |
Aparece en las colecciones: | Libros o capítulos de libro: Filología Inglesa |
Ficheros en este ítem:
Fichero | Descripción | Tamaño | Formato | |
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Suarez-Trances Myth-Oxford Handbook.pdf | 8,53 MB | Adobe PDF | Visualizar/Abrir Solicitar una copia |
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